The most successful and most loved fighting video game of all time, Street Fighter’, is finally being given the epic, and faithful treatment it deserves. Street Fighter: Assassins Fist takes us back to the formative years of the iconic characters, Ryu and Ken, as they live a traditional warriors life in the secluded, mountain wilderness of Japan. Training under their master, Goken, the boys are the last practitioners of the ancient fighting style known as Ansatsuken (Assassin’s Fist). Originally developed as a killing art, masters of this style are able to manipulate their Chi/Ki energy into devastating special techniques of potentially fatal power. As Ryu and Ken learn about the mysterious past of their Master Goken and the tragic and dark legacy of the Ansatsuken style will the two best friends become bitter rivals as their training intensifies and reaches a climax?

A delightful dramatic comedy, a buddy picture, and, for good measure, a heist film. Curmudgeonly old Frank lives by himself. His routine involves daily visits to his local library, where he has a twinkle in his eye for the librarian. His grown children are concerned about their father’s well-being and buy him a caretaker robot. Initially resistant to the idea, Frank soon appreciates the benefits of robotic support – like nutritious meals and a clean house – and eventually begins to treat his robot like a true companion. With his robot’s assistance, Frank’s passion for his old, unlawful profession is reignited, for better or worse.

The middle-aged, divorced Wilson, who lives in Oakland, California, finds himself lonely, smug and obsessed with his past.

Camila, a young Argentine theater director, travels from Buenos Aires to New York to attend an artistic residency to develop a Spanish translation of Shakespeare’s “A Midsummer Night’s Dream.” Upon her arrival, she begins to receive a series of mysterious postcards which set her down a winding path through her past and towards her future.

A martial artist agrees to spy on a reclusive crime lord using his invitation to a tournament there as cover.

Three different love stories, set in three consecutive decades, in two neighbouring Balkan villages burdened with a long history of inter-ethnic hatred: this is a film about the dangers – and the enduring strength – of forbidden love.

Director Mario Van Peebles chronicles the complicated production of his father Melvin’s classic 1971 film, “Sweet Sweetback’s Baadasssss Song.” Playing his father in the film, Van Peebles offers an unapologetic account of Melvin’s brash and sometimes deceptive conduct on the set of the film, including questionable antics like writing bad checks, tricking a local fire department and allowing his son, Mario, to shoot racy sex scenes at the age of 11.

For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.

On the same day, in the same accident, Wei loses his pregnant wife and Ming her fiancé. In Buddhism, one is given 100 days to mourn for the dead. Like two mice lost in a labyrinth, Wei runs around in circles while Ming calmly creeps down a determined path. But the pain and sorrow linger on. With the 100th day approaching, they wonder if they’ll ever be able to say goodbye.

Offbeat Civil War drama in which a wounded Yankee soldier, after finding refuge in an isolated girls’ school in the South towards the end of the war, becomes the object of the young women’s sexual fantasies. The soldier manipulates the situation for his own gratification, but when he refuses to completely comply with the girls’ wishes, they make it very difficult for him to leave.

The chance to shine in a singing competition offers much-needed hope for a Southern middle-schooler who’s drowning in worries, from bullies in the halls to turmoil at home — and the news that his reservist father has been called back to Afghanistan.

A somewhat prim and proper Englishman is hired as the tutor to the son of the Japanese ambassador. His life changes when he and the boy are kidnapped by terrorists for political purposes.