Three thugs attempting to rob a petrol station are interrupted by three stoners with a severe case of the munchies.

After serving time for murder, Josh Hutton returns to his home town where he meets Audry Hugo. No one can remember exactly what Josh did…

When she learns she’s in danger of losing her visa status and being deported, overbearing book editor Margaret Tate forces her put-upon assistant, Andrew Paxton, to marry her.

Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.

Change of Gangster’ (转型团伙) is a Chinese gangster comedy directed by Francis Ng. The film centres around an actor who is injured in a shooting accident and wakes up believing he is a triad boss. The cast includes Francis Ng, Qiao Shan, Feynman Ng, and Wen Song.

Helen Keller vs. Nightwolves tells the shocking story of how a group of Nightwolves terrorized a tiny village taking people’s hearing and eye sight… and the one woman who fought back.

An aging Chinese immigrant is swept up in an insane adventure, where she alone can save what’s important to her by connecting with the lives she could have led in other universes.

During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President’s adviser hires a Hollywood producer to help him stage a fake war.

An inspiring, triumphant and wickedly funny portrait of one of comedy’s most enigmatic and important figures, CALL ME LUCKY tells the story of Barry Crimmins, a beer-swilling, politically outspoken and whip-smart comic whose efforts in the 70s and 80s fostered the talents of the next generation of standup comedians. But beneath Crimmins’ gruff, hard-drinking, curmudgeonly persona lay an undercurrent of rage stemming from his long-suppressed and horrific abuse as a child – a rage that eventually found its way out of the comedy clubs and television shows and into the political arena.

A fame obsessed average Joe escapes a mental institution with a band of misfits for one last desperate attempt to be famous.

In one of his rare performances without Bud Abbott, Lou Costello plays a delivery boy who invents a machine which turns his girlfriend into a giantess.