“I have a gift for disaster,” says John Morlar (Ricard Burton). Morlar is cursed with a unique telekinesis power that only seems to cause disaster.
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A group of young urban explorers and a private military unit could become the final pieces in a 60-year plan to reopen a door that should have stayed closed. But what they unleashed could almost tear our world apart.
A physician discovers that two children are being kept virtually imprisoned in their house by their father. He investigates, and discovers a web of sex, incest and satanic possession.
After the death of her husband, a penniless woman moves into the home of her Uncle. Strange things begin to occur. Is the house haunted or is it something more?
Prahastha, a lonely astronaut, works in a spaceship. Every morning, his spaceship comes close to Earth and Cargos are delivered at the arrival bay. These Cargos are people who have just died on Earth and we learn that Prahastha works for Post Death Transition Services — a large, pioneering, bureaucratic company that stores, transitions, and recycles dead people for rebirth. Today, after many years, a young, popular astronaut — Yuvishka, trained in cutting edge technology, will join the spaceship as his assistant.
When a group of friends and colleagues tracks reclusive writer Samantha Ballard (Aleece Jones) to her remote desert house, their reluctant hostess informs them that they’ll die if they try to escape. After her ex-husband disastrously tests Samantha’s pledge, the remaining guests sink into horror. If they want to leave Fear House alive, this desperate group must act fast in writer-director Michael R. Morris’s claustrophobic spook fest.
A homeless war-veteran with a chequered past must rely on a side of himself once thought buried when he and his companions are targeted by three vicious psychopaths wearing Santa suits on Christmas Day.
To escape her abusive boyfriend, Kat joins a wilderness expedition with a group of women, all of whom are struggling with the uncertainty of life. What was supposed to be an opportunity for personal discovery quickly becomes a fight for survival, forcing each one to discover the strength within themselves that they didn’t even know they possessed. While being brazenly chased by a pack of predators, the strong quickly set themselves apart from the weak. In a battle of will, stamina, and heart, these very virtues present themselves at the most crucial moment. With death looming, each is left with what is truly important – the strength within oneself.
An anthology of three horror stories presented by George A. Romero. In “Valley of the Shadow,” a woman searches for her missing husband in the jungles of South America, only to be in great danger herself. In “Wet,” a lonely man finds an empty box on the beach and opens it, with disastrous results. In “House Call,” a doctor is called to a rural farm house to diagnose a strange ailment. This segment is a short film directed by Tom Savini in 2004 as a failed television pilot.
A lifetime ago in a sleepy Michigan lake town, Hannah Howard (Melissa Anschutz) experienced something otherworldly. For years the event was pushed to the corners of her mind, seemingly forgotten until a trip home starts unlocking her past memories. Can her advice-giving, hippy-mother (Victoria Jackson) or the small town preacher (Don Most) or her newly discovered, bigfoot-hunting brother (Josh ‘Ponceman’ Perry) help her make sense of it all? To add to the growing mystery, the strange events have started again upon Hannah’s return. Strange lights appearing in the sky over a place locals call the Devil’s Crossroads.
Based on true events (mostly), Freddie, a 15-year-old runaway becomes intimately acquainted with California’s “Murder City” after being released from jail, just shy of midnight. Absurdly self-reliant, completely broke and 120 miles away from her friends she has nothing to depend on but her wit and youthful charm.
