Taking place 500 years after the Havoc in Heaven, the Tang Priest is appointed by Buddha to go to the West to fetch the sacred scriptures, only to accidentally free the Monkey King. With Lady White (Gong Li) aiming to break up the team assembled to defeat her, the Monkey King must fight in order to save his world!
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Victor is both thrilled and mystified when his family moves into his grand-uncles somber mansion filled with African masks, taxidermy crocodile mounts – and a dark secret: Four decades ago, his grand-cousin Cecilia, at the same age as he is now, lost her life in the mansions impressive staircase, and the circumstances of her death still remain obscure.
Three fraternal bank robbers languishing in jail, discover a profitable (if not dodgy) way to spend their time. Crime can most certainly pay, if you “know wot I mean?” However when sex and greed rear-up between the good crims and the bad cops, the consequences are both bizarre and fatal.
How long can you wait for justice? After being appointed Circuit Judge, John Goodnight (Perry) travels the territory dispensing justice. After returning to a town that brings back memories of his parents murders, he sees someone who looks familiar.
In the small town of Rockwell, Maine in October 1957, a giant metal machine befriends a nine-year-old boy and ultimately finds its humanity by unselfishly saving people from their own fears and prejudices.
Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.