The true story of Forrest Tucker, from his audacious escape from San Quentin at the age of 70 to an unprecedented string of heists that confounded authorities and enchanted the public. Wrapped up in the pursuit are a detective, who becomes captivated with Forrest’s commitment to his craft, and a woman, who loves him in spite of his chosen profession.
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A contagious virus is turning everyone into zombies, and the only hope for survival lies in the hands of three couch potatoes.
A matriarch past the point of a nervous breakdown, her two daughters that don’t give a damn, and the heat-seeking missiles of resentment they toss at each other.
George Taylor returns from the WWII with amnesia. Back home in Los Angeles, he tries to track down his old identity, stumbling into a 3-year old murder case and a hunt for a missing $2 million.
Luz Cuevas baby daughter Delimar disappeared in 1997 after their house caught fire during a party, The police reported that she was killed in the fire. However, Cuevas suspects that she was kidnapped and that the fire was staged by an outsider. Six years after the fire, Cuevas meets Valerie Valleja former wife of one of Pedro’s cousins, who was also at the party. She has a six-year-old girl with her, named Aaliyah. The girl bears a resemblance to Cuevas and she suspects it is Delimar. Cuevas begins an investigation…
When a jury fails to convict the serial killer who savagely murdered his family, one man must rise above his desire for revenge and descend into the deranged world of a sadistic predator to uncover the truth and finally get justice. What begins as a classic revenge tale takes a dramatic turn into a haunting land of horror and murder.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
Seven disgusting kids but nevertheless of interesting personality are being made of the green mud coming out of garbage can. Once alive their master gives them rules to obey although they think that life is funnier without following stupid regulations like no television or no candy. Naturally this will cause some conflicts.
Kent is ready to put his playboy past behind him and marry the girl he loves- but first, he has to prove he’s changed his ways for good.
