Inventor Tim Jenison seeks to understand the painting techniques used by Dutch Master Johannes Vermeer.

At the age of 34, former New Orleans Saints defensive back Steve Gleason was diagnosed with ALS and given a life expectancy of two to five years. Weeks later, Gleason found out his wife, Michel, was expecting their first child. A video journal that began as a gift for his unborn son expands to chronicle Steve’s determination to get his relationships in order, build a foundation to provide other ALS patients with purpose, and adapt to his declining physical condition—utilizing medical technologies that offer the means to live as fully as possible.

The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.

The First Monday in May follows the creation of The Metropolitan Museum of Art’s most attended fashion exhibition in history, “China: Through The Looking Glass,” an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collision of high fashion and celebrity at the Met Gala, one of the biggest global fashion events chaired every year by Vogue editor in chief Anna Wintour. Featuring a cast of renowned artists in many fields (including filmmaker Wong Kar Wai and fashion designers Karl Lagerfeld, Jean Paul Gaultier and John Galliano) as well as a host of contemporary pop icons like Rihanna, the movie dives into the debate about whether fashion should be viewed as art.

A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.

This impressive doco disperses the fog of shame and sensationalism to shed light on the tragedy that made international headlines in 2007 when a young Wainuiomata woman died during a mākutu lifting.

Explore distant planets, galaxies and cosmic phenomena through the outer reaches of space to make greater sense of the vastness of the universe.

In this one-hour documentary event narrated by Michael B Jordan, Sylvester Stallone, the filmmakers and past cast members share Rockys Cinderella story from the Oscar®-winning first film to the critically and commercially successful sixth film, Rocky Balboa. Then, together with director Ryan Coogler, stars Michael B Jordan, Sylvester Stallone, Tessa Thompson, and producer Irwin Winkler, viewers get an inside look at how Warner Bros Pictures and Metro-Goldwyn-Mayer Pictures new film Creed (story by Ryan Coogler, screenplay by Ryan Coogler & Aaron Covington) was originated, and how Jordan and Stallone prepared for their roles in this fresh new take on the Rocky franchise.

BEAUTIFUL NOISE is an in-depth exploration of a music movement in the late twentieth century, a fascinating period when some innovative musicians mixed guitar noise into conventional pop song structures while maintaining a philosophy of letting the music speak for itself. Although many of the people interviewed are notoriously press shy they have opened up about their music and experiences from over 20 years ago, how they defied the rules and became sonic innovators that have inspired so many.

“Between Musk and Mars” provides an intimate look at the holdouts who refuse to leave the isolated village and the tactics SpaceX has been using to get them out of their homes. But as the star-gazing magnate moves forward with his vision for a Martian colony, some of the locals won’t cede their slice of Planet Earth without a fight.

Behind the scenes and with the fans of West Ham United as they move to a new home after 112 years at Upton Park.

Bergensbanen is a real time documentary film of the entire journey by rail from Bergen to Oslo in Norway. The journey, lasting almost seven and a half hours, was filmed by cameras on the outside of the train, and is interspersed with interviews, archive footage and music. An alternative cut (the version commonly available on the internet) consists entirely of unbroken phantom ride footage.