Mario, an exemplary man, lives in a village on the Galician coast. In the old people’s home, where he works as a nurse, everyone appreciates him. When the best known narco in the area, Antonio Padín, recently released from prison, enters the residence, Mario tries to make Antonio feel at home.
Now, Padín´s two sons, Kike and Toño, are in charge of the family business. The failure of an operation will put Kike in jail and cause them to owe a large debt to a Colombian supplier. Toño will turn to the nurse to try to convince his father to assume the debt. But Mario has his own plans.

Brian, (Luke Goss, DEATH RACE 2, HELLBOY II) is desperately trying to seek a “quick fix” business deal that will put him back on top financially after being let go from his executive position at one of the top investment firms. Brian decides to go “all in”, investing the rest of his savings into a short-term drug deal that would allow him to preserve his high-end life style. When two recluse teenagers unknowingly intercept the illicit drug money hidden in the back seat of a car, Brian’s deal is botched. He soon finds himself in a desperate situation as he owes a merciless drug lord the missing money. At the same time the teenagers learn that they’ve stolen from the wrong people. What follows is a twisted tale of greed, deceit, murder and wealth. In this Crime-thriller, three relationships collide in a fantastic saga where only one will get out alive.

A group of high school students, led by a rich boy Derek, is sick of school violence and decides to become underground vigilantes named “Brotherhood of Justice”. It starts with the idea “watching people”, but things quickly get out of control. “Brotherhood of Justice” turns out another gang of violence. Derek wants to stop it but it is too late, so he takes responsibility for it and gives himself to the law.

Mickey Spillane plays his own creation, street-thug-turned-PI Mike Hammer, in this 1963 adaptation of his novel. The film opens with Hammer on the downside of a years-long bender, scooped out of the gutter by a bitter cop intent on prying information from a dying man. Inspired to clean up his act by the secrets he hears, Hammer hits the streets on a personal crusade to find the love of his life. Future Bond girl Shirley Earton costars as a glamorous society widow who goes slumming with Hammer.–Sean Axmaker

Mulder and Scully, now taken off the FBI’s X Files cases, must find a way to fight the shadowy elements of the government to find out the truth about a conspiracy that might mean the alien colonization of Earth.

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Twelve-year-old Simone feels painfully disconnected from the world after witnessing the brutal death of her mother. Simone, a solitary multimedia artist in her twenties, is struggling to control her crushing panic attacks and keep her day job in an underground parking lot. And Simone, a sixty-year-old physicist, is giving a conference on the nature of time. The three Simones’ lives are intertwined in a labyrinthine meta-world where timeframes overlap, characters multiply, and storylines repeat and expand. But, for all its shuttling forward and back through time, ENDORPHINE remains grounded in the Simones’ inner lives — it’s an artistic examination of scientific phenomena that also poignantly explores how people deal with trauma.

Young urban professionals Jesse (Arye Gross) and his girlfriend Kate (Lar Park Lincoln), move into an old mansion that has been in Jesse’s family for generations. They are soon joined by Jesse’s goofy friend Charlie (Jonathan Stark), who brought along his diva girlfriend Lana (Amy Yasbeck), in the hopes of being discovered by Kate, who works for a record company. Jesse has returned to this old family mansion after his parents were murdered when he was a baby. While going through old things in the basement, Jesse finds a picture of his great-great grandfather (and namesake) in front of a Mayan temple holding a crystal skull with jewels in the eyes. In the background is a man Jesse learns is Slim Razor, a former partner of his great-great grandfather turned bitter enemy after a disagreement over who would get to keep the skull.

A disgruntled, middle-class sex-doll housewife goes on a murderous rampage upon discovering that her abusive used-car salesman husband is cheating on her. Two inept cops investigate the grisly murders in order to put an end to the mayhem.

John Quincy Archibald is a father and husband whose son is diagnosed with an enlarged heart and then finds out he cannot receive a transplant because HMO insurance will not cover it. Therefore, he decides to take a hospital full of patients hostage until the hospital puts his son’s name on the donor’s list.

Professor Charles Bando is estranged from his family, who blame him for the kidnapping of his grandson. God works in miraculous ways, including using a piece of glass from the Holy Land, to bring healing and reconciliation.

David Byrne is a visual artist as well as a musician, and ever since his early days as a member of Talking Heads, he’s wanted his concerts to be more than just a static performance. In 1984, Byrne and filmmaker Jonathan Demme redefined the boundaries of the concert film with the Talking Heads documentary STOP MAKING SENSE, and more than 25 years later Byrne has teamed up with David Hillman to create RIDE, RISE, ROAR, which documents Byrne’s 2008-2009 concert tour, in which he performs new material written in collaboration with Brian Eno as well as favorites from his solo career as well as his tenure in Talking Heads. Using costumes and inventive choreography, Byrne and his musicians and dancers give his music a stage presentation as exciting as the music.