Carmilla comes to a rural town where her mother mysteriously disappeared years earlier. She is aided in her quest by an emotionally troubled local girl, with whom she becomes romantically involved. Their relationship ignites the wrath of the girl’s father, who holds the key to the dreadful truth Carmilla is seeking. Inspired by Joseph Sheridan Le Fanu’s famed Gothic novella.
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After a devastating urban wildfire kills her boss, auditor Mercedes Lara must fight to expose a corrupt city government that fronts for an international criminal enterprise. The mystery is unraveled with found footage from a wide variety of sources.
On the day of his daughter’s birthday, William “D-Fens” Foster is trying to get to the home of his estranged ex-wife to see his daughter. His car breaks down, so he leaves his car in a traffic jam in Los Angeles and decides to walk. He goes to a convenience store and tries to get some change for a phone call, but the Korean owner does not oblige, tipping Foster over the edge. The unstable Foster, so frustrated with the various flaws he sees in society, begins to psychotically and violently lash out against them.
The story involves a series of murders in Charron’s performing company, murders caused by various members getting doused with vitriolic acid. Turns out all the people killed have a common denominator in their past, one which has recently re-surfaced, and is out for their blood. Will the past be uncovered before it kills again? What awful secret has came back to haunt the living?
When failed comic Gus Lawton pushes his wife too far, he finds himself chasing her across the country to the abandoned farmhouse of her childhood. Given the choice between losing Deborah or living by her plan, Gus gets busy fixing up the old place. Starting with the septic tank. In a moment of desperation, he digs up the very thing he needs, a zombie who’ll do anything he wants… for now, anyway. As the zombie’s own desires threaten their plans, Gus and Deborah come together in a desperate struggle to get what they want, regardless of the cost. Zombie Dearest is a genre-bender that speaks to the “living dead” – the hunger and the horror – in all of us. It’s a wild ride that’s both smartly comic and deeply quirky.
Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won’t turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle’s iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle’s willingness to cave in to society in order to save the relationship.
At his best friend’s New Year’s Eve party, Gary desperately tries to spark the interest of Ann, his ex-girlfriend, without letting his friends embarrass him, but ends up receiving devastating news instead.
Fred (Elliott Gould) lives with his Alzheimers’ struggling wife, Susan in their home of over fifty years. Fred’s grown up children try to convince him to move into a care home alongside Susan, however, he does not approve of this idea.
The story centers on paroled white supremacist who has just killed a cop, and takes a black family hostage. Within hours of being released from 14 years of solitary confinement in maximum-security Pelican Bay State Prison, Garrett Tully is on the run again. When he finds a house off a dirt road and takes a family hostage, he thinks the Aryan Brotherhood has his back–and his kidnap victims are black. The family’s patriarch, Mr. Walker, is a jaded ex-con who hates cops so much he disavowed his own son for becoming one. Seeing a familiar desperation in Tully, Walker refuses to call the authorities for help, causing familial tensions to escalate, and soon grave missteps are made.
When a family emergency forces a troubled teen to do the wrong thing for the right reason, a community discovers the meaning of forgiveness.
