One day, his mother who had sacrificed everything to a church to cure his elder brother’s illness, kills herself. His good-for-nothing father has long been out of the picture, evading debtors. Siwan, left alone, goes to a provincial town and finds a young but revered minister of the church who has hidden himself in a small internet cafe. Siwan intends to avenge his mother himself but it’s far from easy.
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Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).
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A psychotic man, troubled by his childhood abuse, loose in NYC, kills young women and takes their scalps as trophies. Will he find the perfect woman in photographer Anna, and end his killing spree?
When the aging Meyer Lansky is investigated one last time by the Feds who suspect he has stashed away millions of dollars over half a century, the retired gangster spins a dizzying tale, revealing the untold truth about his life as the notorious boss of Murder Inc. and the National Crime Syndicate.
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When Natalie’s boyfriend is murdered, she builds a machine to change the past by changing her own memories. An FBI agent, her sister and her therapist all try to stop her before she hurts herself, but there’s no use. She’ll do anything to get him back.
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