A troubled woman on the edge of divorce returns home to her younger sister after years apart. But when her sister and brother-in-law betray her trust, she embarks on a vicious crusade of revenge.
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Maarit Lalli film a woman who knew how to say yes, and the man who could not say no. Ricky Kalin (Antti Luusuaniemi) is a real estate agent who loves women. Annika Lahti (Pihla Viitala) is a private, not so very good one at that. Annika specializes in the detection of complex relationships, to put it nicely. Ricky is a great salesman, who has two calendars – Work calendar and the calendar for women. An assignment Annika collides with the real estate agent Stand. The apartment does not display unnecessary procrastination: Annika just wants to have sex without feelings. Ricky, this is just fine. Relationship with works by mutual cooperation and assistance agreement – until it becomes famous for the sixth time. “There is hardly anything we love to look at, either.”
Three different stories of youth set in different cities of China. 1 Shanghai Love. 2 Sunny Breakfast. 3 Small Fashion Show. Directed by Zhenxing Yi, the plot revolves around a young man working in Beijing. He used to live with his grandma in his less developed hometown Hunan. While he is drown in his childhood reminiscence, he receives an unexpected call – Grandma is in critical condition.
Spending the summer at a Catskills resort with her family, Frances “Baby” Houseman falls in love with the camp’s dance instructor, Johnny Castle, and nothing is ever the same for anyone in the Houseman family. Not only are the memorable songs from the original movie included, but there are additional songs from the era that will be featured, showcasing double the number of musical performances by the stellar cast.
Henry struggles to bond with his estranged son, Gabriel, who suffers from a brain tumor that prevents him from forming new memories. With Gabriel unable to shed the beliefs and interests that caused their physical and emotional distance, Henry must learn to embrace his son’s choices and try to connect with him through music.
Funeral home is the last stop of the deceased ones. This is also where `turn undead` take place, the ritual that purifies the soul. The soul hasn‘t gone through the ritual is usually a haunting one. They still have things undone in human world. In order to finish that, they usually do something disturbing which led to supernatural incidents. Three seemingly seperate stories happen at funeral home intertwine.
Anna’s story takes place on Åland Island in 1666, during the beginning of the most widespread and systematic witch-hunts in Scandinavian history. In all, 16 women were convicted of being in league with the devil, and seven of them were executed. For Judge Psilander, who has mastered the newest witch theories of the time, the trials are meant to cleanse the island of superstition, to have science and common sense prevail. The main character, the intelligent and stubborn Anna, gets an intimate view of the events, having just started working as a maid in the judge’s house. To Anna’s misfortune, she falls intensely in love with her friend Rakel’s husband Elias, but his infatuation with her quickly fades. A hurt and jealous Anna decides to get revenge and falsely reports Rakel to Judge Psilander. It’s only when Rakel is arrested, and things get out of hand, that Anna realizes the gravity of her doings.
Men steal for it. Nations go to war for it. The it is oil – and it grows on trees. Coconut oil is the precious lifeblood of 1870s South Seas traders. And lots of real blood will be spilled to get it! Screen royalty Burt Lancaster ist His Majesty O’Keefe in this last of three adventures that (along with The Flame and the Arrow and The Crimson Pirate) blew a revitalizing wind into the sails of the swashbucker genre. Action, cunning and derring-do are watchwords of the title seafarer as he befriends, defends and ultimately rules the islanders of exotic Yap. Lensed on gorgeus Fiji locations, grandly scored by Robert Farnon and rousingly directed by Byron Haskin, His Majesty O’Keefe delivers heroics of regal proportions.
It’s 1929 on the vast, desert-like, Eastern Arrernte Nation lands that are now known as the Central Australian outback. Sam Kelly, a middle-aged Aboriginal man, works the land of a kind preacher, Fred Smith. After an ill-tempered bully arrives in town and Kelly kills him in self-defence, he and his wife go on the run as a posse gathers to hunt him down.