VIOLET follows “Violet Morton,” a 32 year-old film executive who is living her life listening to this “Voice,” resulting in fear-based decisions. She has made these decisions to avoid potential “worst-case scenarios” in her romantic life, her family life, and her professional life, and they have taken her away from who she really is. She has grown accustomed to this, to not being quite “herself,” and sees nothing amiss, until a friend’s comment makes her realize that The Voice has been lying to her. Her entire life.
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Homeless children in the slums of Rio are driven out of their temporary shelters by ruthless gangsters in this somber drama. The kids survive by shining shoes, stealing, and cutting the strings of the kites to sell them later to others. Tired of life on the streets, one boy turns himself over to the police in hopes he will be sent to reform school in a last desperate attempt to survive. This feature from acclaimed Swedish director Arne Sucksdorff appeared at the 1965 Cannes Film Festival.
A thriller set in New York City during the winter of 1981, statistically one of the most violent years in the city’s history, and centered on a the lives of an immigrant and his family trying to expand their business and capitalize on opportunities as the rampant violence, decay, and corruption of the day drag them in and threaten to destroy all they have built.
A teenager (Pat Boone), recently in trouble with the police, is sent to live with his aunt and uncle on their Kentucky farm in order to rediscover life’s values. Director Henry Levin’s 1957 musical remake of “Home In Indiana” also stars Shirley Jones, Arthur O’Connell, Jeanette Nolan and Dolores Michaels.
The lone survivor of the brutal Oakhurst Sanatorium Murders, suffers from severe post-traumatic dissociative disorder in a state run mental health facility. Budget-cuts lead to the transfer of the criminally-insane killer she escaped right to her hospital, while the true supernatural force behind the killings wants to finish what begun the night of the murders.
There live a couple known as ‘100-year-old lovebirds’. As fairy tale’s characters, the husband is strong like a woodman, and the wife is full of charms like a princess. They dearly love each other wearing Korean traditional clothes all the time, and still fall asleep hand in hand. However, the death, quietly and like a thief, sit between them. This film starts from this moment, and follows the last moments of 76 years of their marriage.
As it happens, everybody – Pooh, Piglet, Eeyore, Roo, Rabbit, Owl – is busy preparing a suitable winter home for Eeyore. When everything they do seems to get undone by Tigger’s exuberant bouncing, Rabbit suggest Tigger go outside and find other tiggers to bounce with – a notion Tigger finds ridiculous because, after all, he’s “the onliest one” Or is he?
Two young sisters recovering from an unnamed trauma must face a mysterious past in this excellent South Korean shocker. A worldwide hit upon its release and based on an old Korean fairy tale; two sisters come to live with their cold and distant father and turn-on-a-dime stepmother in a house where nothing is as it seems. A wonderfully haunting score, starkly beautiful imagery, and a labyrinthine plot that twists and turns at every dark corner all set the stage for a riveting and often terrifying guessing game of a movie. Equal parts drama, mystery, and ghost story, A Tale of Two Sisters is a richly complex and challenging cinematic treat that may very well demand repeat viewings.
Raven Shaddock and his gang of merciless biker friends kidnap rock singer Ellen Aim. Ellen’s former lover, soldier-for-hire Tom Cody, happens to be passing through town on a visit. In an attempt to save his star act, Ellen’s manager hires Tom to rescue her. Along with a former soldier, they battle through dangerous cityscapes, determined to get Ellen back.