Two unpopular teenagers, Gary and Wyatt, fail at all attempts to be accepted by their peers. Their desperation to be liked leads them to “create” a woman via their computer. Their living and breathing creation is a gorgeous woman, Lisa, whose purpose is to boost their confidence level by putting them into situations which require Gary and Wyatt to act like men.
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When a family of raccoons discover worms living underneath the sod in Jeff and Nealy’s backyard, this pest problem begins a darkly comic and wild chain reaction of domestic tension, infidelity and murder.
In a City where crime rules supreme, District Attorney Tony Quinn has the scales of justice stacked against him. When a crime boss has Tony blinded by acid, it seems that crime has won for good. But through a miracle of modern science, Tony is given the ability to see in the dark like a bat. Tony Quinn takes the guise of the Black Bat to see to it that crime pays and that the scales of justice are balanced once more.
After the death of his young daughter, Thomas Dunn is a man who has lost his faith. His life has crumbled and his confidence is shattered. Yet, on this day he wakes to discover that Mandy, his loving wife is finally pregnant again. Maybe this is their chance to move away from the tragedy of the past and for him to find his faith again. But also on this day a large alien mother-ship appears in the heavens and the people of earth are suddenly plagued with visions about the end of civilization. Tom and Mandy are split up as the mother-ship launches a massive alien fleet which attack the towns and cities of earth. Tom must look deep within himself to find not just his faith but the wisdom and strength to save the human race from the horrors that threaten them. However, first he must find Mandy, as he discovers that their new baby holds the key to the future of mankind. The battle lines are drawn and the final stance for Earth is about to begin.
Julian Michaels has designed the ultimate resort: VICE, where anything goes and the customers can play out their wildest fantasies with artificial inhabitants who look, think and feel like humans. When an artificial becomes self-aware and escapes, she finds herself caught in the crossfire between Julian’s mercenaries and a cop who is hell-bent on shutting down Vice, and stopping the violence once and for all.
Two mismatched personal trainers’ lives are upended by the actions of a new, wealthy client.
One year after Dr. Tasha and Prince Alec met and fell in love, Tasha is on her way to spend the holidays in San Saverre and get a taste of royal life. When Alex surprises her with a royal engagement, she spends her first magical days there trying to stay grounded while managing the task of planning a royal wedding. But when Miranda starts scheming to break the two up, it will take a big sacrifice and a Christmas miracle to make sure they get the holiday royal wedding of their dreams.
Two ‘resting’ actors living in a squalid Camden Flat – and living off a diet of booze and pills – take a trip to a country house (belonging to Withnail’s uncle) to ‘rejuvenate’. Faced with bad weather, altercations with the locals, and the unexpected arrival (and advances) of Uncle Monty, the pairs wits and friendship are tested… Set in 1969, the year in which the hippy dreams of so many young Englishmen went sour, 1986’s Bruce Robinson’s Withnail and I is an enduring British cult. Withnail is played by the emaciated but defiantly effete Richard E Grant, “I” (i.e., Marwood) by Paul McGann. Out-of-work actors living in desperate penury in a rancid London flat, their lives are a continual struggle to keep warm, alive and in Marwood’s case sane, until the pubs open. A sojourn in the country cottage of Withnail’s Uncle Monty only redoubles their privations.
