From Led Zeppelin to The Rolling Stones, Elvis to Madonna, John Lennon to Johnny Rotten, Bob Gruen has captured half a century of music through the eye of a lens. In this landmark documentary series, award-winning filmmaker Don Letts reveals the stories behind some of the most famous rock ‘n’ roll photographs of all time.

Wish You Were Here, released in September 1975, was the follow up album to the globally successful The Dark Side Of The Moon and is cited by many fans, as well as band members Richard Wright and David Gilmour, as their favorite Pink Floyd album. On release it went straight to Number One in both the UK and the US and topped the charts in many other countries around the world. This program tells the story of the making of this landmark release through new interviews with Roger Waters, David Gilmour and Nick Mason and archive interviews with the late Richard Wright. Also featured are sleeve designer Storm Thorgerson, guest vocalist Roy Harper, front cover burning man Ronnie Rondell and others involved in the creation of the album. In addition, original recording engineer Brian Humphries revisits the master tapes at Abbey Road Studios to illustrate aspects of the songs construction.

The life and career of the power lifter.

A cold-blooded killer gets caught up in a surreal game of death in this neo-noir thriller starring Costas Mandylor. The winter winds are whipping outside when the unremorseful assassin dispatches with his latest target. But this time something goes wrong. Time begins to fold in on itself when a shadowy assailant strikes out from the darkness, turning hunter into prey in the span of seconds. The mysterious pursuer seems to anticipate the killer’s every move, and as events begin to repeat themselves nobody is who they seem. A sudden stranger to his friends and associates, the killer begins to question his sanity after fresh wounds vanish from his flesh without a trace. When an unexpected telephone call reveals that his intended target is still alive, he is forced to relive his actions time and again while speeding ever closer toward a confrontation with the one adversary who could bring about his downfall.

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S Is for Stanley is the story of Emilio D’Alessandro, Stanley Kubrick’s personal driver. A friendship that lasted through 30 years of their lives, helped create four cinema masterpieces, and brought together two apparently opposite people, that found their ideal journey companion far away from their homes.

Why do 11,000 people die in America each year at the hands of gun violence? Talking heads yelling from every TV camera blame everything from Satan to video games. But are we that much different from many other countries? What sets us apart? How have we become both the master and victim of such enormous amounts of violence? This is not a film about gun control. It is a film about the fearful heart and soul of the United States, and the 280 million Americans lucky enough to have the right to a constitutionally protected Uzi. From a look at the Columbine High School security camera tapes to the home of Oscar-winning NRA President Charlton Heston, from a young man who makes homemade napalm with The Anarchist’s Cookbook to the murder of a six-year-old girl by another six-year-old, Bowling for Columbine is a journey through America, through our past, hoping to discover why our pursuit of happiness is so riddled with violence.

Fearful that their star witness might be murdered, two attorneys hire a protector to bring him from Los Angeles to New York. Jesse Crowder (Fred Williamson) is a no-nonsense tough guy. He buddies up with the witness, an accountant, and they hit the road. Outwitting their foes means taking all manner of conveyance, including automobile, train, and airplane.

Unable to find work after a past felony, graduate John Wisdom and his girlfriend embark on a cross-country bank-robbing spree in order to aid American farmers.

Ray Lovelock stars as Massimo, a young undercover cop with a taste for violence and a thirst for revenge! Massimo gets himself arrested and quickly infiltrates the ranks of the underworld figure serving a sentence. Eventually a breakout is planned and Massimo is to be included. Just about as soon as they hit the street an attempt is made on the boss’ (Martin Balsam) life. Massimo acts quickly in helping to save him and that’s the in he has been waiting for

Fire investigator Sean McCaffrey, son of the late Steven “Bull” McCaffrey, is now working at the same Chicago firehouse along with his uncle Brian. When Sean is assigned to investigate a deadly fire, he and partner Maggie soon realize that they are dealing with something much more than a routine fire. The clues they discover lead them down a treacherous path of arson, murder, and international terrorism. Sean must use his intuition, along with the help of infamous jailed arsonist Ronald Bartel, in a race to find out who is behind the fire and stop them from accomplishing their devious plans.

Bud Corliss (Wagner) is an ambitious student who is wooing Dorothy Kingship (Woodward) purely for her father’s mining fortune. When he discovers that Dorothy is pregnant with his child, he realizes she is quite likely to be disinherited by her wealthy family. He assures Dorothy that he’ll take care of her, yet he hesitates when Dorothy insists on marrying. Bud then murders Dorothy and stages it in a way that it appears to be a suicide. He then reaches out to her sister Ellen (Leith) with the hopes of marrying her in order to ingratiate himself with her father. After a couple of months Ellen finds evidence to question the suicide verdict, and then discovers Bud knew Dorothy. Ellen struggles to avenge her sister and save her own life.