G-Funk is the untold story of three childhood friends from East Long Beach who helped commercialize hip hop by developing a sophisticated and melodic new approach – merging Gangsta Rap with elements of Motown, Funk, and R&B.

It’s a music documentary that tells the story of Roy Gurvitz, who created Lost Vagueness, at Glastonbury and who, as legendary founder, Michael Eavis says, reinvigorated the festival. With the decadence of 1920’s Berlin, but all in a muddy field. A film of the dark, self-destructive side of creativity and the personal trauma behind it.

With the holidays approaching, a young party planner arranges a special Christmas party for a New York toy store. When a powerful corporation threatens to shut her down, she decides to follow her heart, moving forward with the party plans and finding true love in time for Christmas.

On a day known to the dinosaurs as “Treasure Day”, Bron becomes stuck in the Mysterious Beyond. This event urges the young Longneck to take his friends on a quest to the Fire Mountain to save his father. Along the way, they befriend a Flyer.

Learning to Breathe observes the past and present of Anthony Ruffo, a 47-year-old professional surfing legend and drug addict. Facing prison time in an ever-changing California court system, Anthony must decide whether to continue on his path of addiction and crime, or change his life and begin to heal the community he damaged. Anthony’s surfing past, methamphetamine addiction, criminality, and eventual recovery are displayed candidly. Those surrounding Anthony, including some of the world’s best surfers, discuss Anthony’s rise to fame and spiral into addiction and criminality. For the first time, they break the code of silence in the surfing industry and open up about their own addiction issues, discussing the problem of widespread drug use in the professional surfing community.

Unraveling one of the biggest environmental scandals of our time, a group of citizens in West Virginia take on a powerful corporation after they discover it has knowingly been dumping a toxic chemical — now found in the blood of 99.7% of Americans — into the local drinking water supply.

A mesmerising thriller about the magic of film and the power it has to change lives.

“Mr Mojo Risin’” is the story of the making of the Doors’ last album with Jim Morrison “L.A. Woman”. 2011 is the 40th anniversary both of the album’s release and of the death of Jim Morrison and this programme goes into detail of how the album came about, its recording and what was happening to the band at the time. The story is told through new interviews with the three surviving Doors: Ray Manzarek, Robbie Krieger and John Densmore plus contributions from Jac Holzman, founder of their label Elektra Records, Bill Siddons, who was their manager, Bruce Botnick, engineer and co-producer of the album and others associated with the Doors at this time. The show includes archive footage of the Doors performing both live and in the studio, classic photographs and new musical demonstrations from the Doors.

Three girls living in Los Angeles, CA in the 1980s found cult fame when they “accidentally” transitioned from models to B-movie actresses, coinciding with the major direct-to-video horror film boom of the era. Known as “The Terrifying Trio,” Linnea Quigley (The Return of the Living Dead), Brinke Stevens (The Slumber Party Massacre) and Michelle Bauer (The Tomb), headlined upwards of ten films per year, fending off men in rubber monster suits, pubescent teenage boys, and deadly showers. They joined together in campy cult films like Sorority Babes in the Slimeball Bowl-a-Rama (1988) and Nightmare Sisters (1987). They traveled all over the world, met President Reagan, and built mini-empires of trading cards, comic books, and model kits. Then it all came crashing down. This documentary remembers these actresses – and their most common collaborators – on how smart they were to play stupid

A backstage and on-stage look at Justin Bieber during his rise to super stardom.

The Chairman of the Minnesota Twins passes away and in his will, leaves his grandson, Billy Heywood, ownership of the team. Billy appoints himself the new manager. But will the proud, arrogant arrogant players of the team, be willing to take orders and tactics from a 12 year old boy?

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.