A woman finds a man in a box in front of her home and takes him in. She jokingly says she wants to keep him as her pet since the man reminds her childhood dog. The man agrees. Later the woman discovers that the man is a dance prodigy. Complications arise when her old flame from college appears.
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Kellie Martin plays an accountant who submits a reply to a “dear viola” letter to the editor that she works for, as an accountant. She has a real knack for writing to people and getting to the heart of the matter, and soon the whole town is involved in the romantics.
Sierra Young is a rising ingénue, making $10 million per picture. She’s also a spoiled brat, partying all night, complaining on the set, unable to perform well. After a tantrum, in which she gets two black eyes, the director has her sent to a rehab clinic in a remote Utah town. Within a day, she’s run away and is taken in by Nettie, who runs a bed and breakfast inn. Sierra also meets Nettie’s grandson, Tyler, head of the local community theater. Sierra invents a name, tells Nettie a wild story, and reads for a part in Tyler’s production of “Taming of the Shrew.” Meanwhile, her entourage hires a private eye to find her. In a small town of real people, will she find herself first?
When Eric’s niece Kathy becomes one of the heirs to a considerable fortune, her life (and those of the other heirs) is placed in jeopardy by the actions of a mysterious inter-loper.
Irish Republican Army member Fergus (Stephen Rea) forms an unexpected bond with Jody (Forest Whitaker), a kidnapped British soldier in his custody, despite the warnings of fellow IRA members Jude (Miranda Richardson) and Maguire (Adrian Dunbar). Jody makes Fergus promise he’ll visit his girlfriend, Dil (Jaye Davidson), in London, and when Fergus flees to the city, he seeks her out. Hounded by his former IRA colleagues, he finds himself increasingly drawn to the enigmatic, and surprising, Dil.
Hammer Film’s follow-up to the successful One Million Years B.C. is set in an ancient past when humans and dinosaurs co-exist. Athletic cavewomen and hairy men wander around, grunting, sweating and occasionally sacrificing evil blonde babes to the sun in return for protection from stop-motion beasts. The fun-loving, energetic Sanna (Victoria Vetri), one of the sacrificial offerings, manages to escape during a ritual and joins another tribe where she says ‘necro’ a lot and falls in love with a surprisingly hairless guy.
Thanks to an untimely demise via drowning, a young couple end up as poltergeists in their New England farmhouse, where they fail to meet the challenge of scaring away the insufferable new owners, who want to make drastic changes. In desperation, the undead newlyweds turn to an expert frightmeister, but he’s got a diabolical agenda of his own.
Shirley has important news for her family, but she has five grown children with different lifestyles and finds it difficult to get them and the kids all together. So in steps Madea, the Matriarch General, to put the family’s life in perspective with a hilarious twist on financial difficulties, drugs and, most important, family secrets. The next generation has a lot to learn. In her own way, Madea expresses how deliverance won’t change you to be someone else, but will allow you to be who you really are.
Meet Maggie. Meet Stephen. Two love lorn twenty-somethings who find each other on a popular Internet dating site. Does it matter that Stephen works for the site that brought the two of them together? Or that he knowingly manipulates the site to create a perfect match? As you can guess, it gets complicated. PerfectMatch is a quirky 21st century romantic comedy that realizes that as our technology evolves, the ease with which we find our soulmate does not.
A trusted driver must deal with his dead boss’s Muslim mistress, her dark past pulling him into a life-and-death showdown with her notorious gangster cousin/ex-husband.
By following ten simple rules, 20-somethings Vince and Cameron spice up their relationship by sleeping around. But when their straitlaced friends get engaged, their relationship gets turned upside down. To put the rules to the test, they will go on the road to the Hamptons to crash the biggest party of the year where love triangles collide and off-the-wall mayhem ensues.
Melvin, a British author living in America, returns home to London for Christmas to introduce his American fiancée Lisa to his eccentric British-Caribbean family. Their relationship is put to the test as she discovers the world her fiancé has left behind.
