A riveting new non-fiction series that delves into the world of infamous serial killers through a unique perspective rarely ever heard, as the family members of the killers come out of the shadows to reach out to the families of the victims. Each episode follows a different family’s journey, facilitated by Melissa Moore – daughter of Keith Hunter Jesperson, infamously known as the “Happy Face Killer” – as they connect with the families of the killer’s victims to express their sorrow and empathy.

A gripping anthological relationship thriller series exploring the emotional fallout of a child’s abduction not only on the family but on the wider community, told over two time frames.

Celia and Alan are both widowed and in their seventies. When their respective grandsons put their details on Facebook, they rediscover a passionate relationship that started over sixty years ago.

The economic situation is a nightmare: only 20% of the population is employed. The Actives live inside the city. On the fringes, in the Zone, live the Jobless. Separating them is a wall.

Carmen, the daughter of a notorious Amsterdam drug lord, reluctantly takes charge of the family’s smuggling business in order to clear her husband’s debts.

Inspired by a true story, this series follows a group of Roman teenagers as they defy society in their search for identity and independence.

It is winter on the plains of Skåne coast. Farmer woken gets up and goes over to the neighboring farm. The sight that meets him is terrible. His neighbor John Lövgren lying on the floor with broken face. His wife Mary is sitting on a chair with a noose around his neck and her nightgown nersölat of blood. Before she dies in the hospital, she has time to say a word as soon leak out into the media, “Foreign” Inspector Kurt Wallander in Ystad police leading the investigation will soon receive anonymous threats by telephone. When the city’s refugee camp on fire and a Somali refugee murdered, he understands that those who threatened him serious. And realize that it is now a race against time. And, against a ruthless opponent. A killer with no face …

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Smash is an American musical drama television series created by playwright Theresa Rebeck and developed by Robert Greenblatt for NBC. Steven Spielberg served as one of the executive producers. The series was broadcast in the US by NBC and produced by DreamWorks Television and Universal Television. The series revolves around a fictional New York theater community and specifically the creation of a new Broadway musical. It features a large ensemble cast, led by Debra Messing, Jack Davenport, Katharine McPhee, Christian Borle, Megan Hilty, Jeremy Jordan, and Anjelica Huston.

The show debuted on February 6, 2012, and its first season ended on May 14, 2012. Its second and final season premiered on February 5, 2013 and ended on May 26, 2013. NBC announced a change in their lineup in March 2013 and moved the show to Saturdays starting April 6, 2013. The series was officially cancelled on May 10, 2013. Second and final season executive producer/show runner Josh Safran said the final episode of season two would work as a series finale, should the series not be renewed.

The series, particularly the pilot episode, enjoyed some critical success. The first season received the Primetime Emmy Award for Outstanding Choreography amongst 4 nominations. The series was also nominated for a Golden Globe Award for Best Television Series – Musical or Comedy and a Grammy Award for Best Song Written for Visual Media.

Claire, a talented but emotionally troubled dancer, joins a company in New York City, and soon finds herself immersed in the tough and often cutthroat world of professional ballet. The dark and gritty series will unflinchingly explore the dysfunction and glamour of the ballet world.

The series follows the “untold” story of Leonardo Da Vinci: the genius during his early years in Renaissance Florence. As a 25-year old artist, inventor, swordsman, lover, dreamer and idealist, he struggles to live within the confines of his own reality and time as he begins to not only see the future, but invent it.

The war is over, and Violet Evergarden needs a job. Scarred and emotionless, she takes a job as a letter writer to understand herself and her past.