Faust is a 2011 Russian film directed by Alexander Sokurov. Set in the 19th century, it is a free interpretation of the Faust legend and its literary adaptations by Johann Wolfgang von Goethe and Thomas Mann. The dialogue is in German. The film won the Golden Lion at the 68th Venice International Film Festival.

Lindsey Lou’s father has gone missing on a mountaineering expedition and she’s determined to find him, only she’s the least qualified for the job.

A newly engaged couple becomes intrigued by the young stranger who moves in next door. He’s handsome, friendly and very helpful, but he’s no stranger.

For the past four years, San Francisco cop Jack Cates has been after an unidentified drug kingpin who calls himself the “Ice Man”. Jack finds a picture that proves that the Ice Man has put a price on the head of Reggie Hammond, who is scheduled to be released from prison on the next day.

Alma’s family has been producing quality olive oil in the Baix Maestrat area of Spain’s Castellón for generations. Yet changing pressures in the industry have made their traditional practices economically untenable, and the family is now in the mass-production poultry business. Alma’s grandfather has not spoken in years. Sadness envelopes him, and he no longer wants to eat. His sons—Alma’s father and uncle—are impatient with him, but Alma understands her grandfather. She realizes he has been grieving for a thousand-year-old olive tree that the family has uprooted and sold to pay some debts. (A sadly common reality in Castellón at present.) Unable to bear the idea that her grandfather could die without seeing this terrible wrong corrected, Alma undertakes a quixotic mission to locate the tree and return it to the family orchard, so that her grandfather may have peace in his final days.

Set in the Little Saigon district outside of Sydney, a woman trying to escape her past becomes embroiled in a drug deal.

Tae-Il (Hwang Jung-Min) lives a fast life as low level thug. He then learns that he has a terminal illness and not much time left to live. For the first time in his life falls in love. The woman’s name is Ho-Jung (Han Hye-Jin).

Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.

Henry VIII of England discards one wife, Katharine of Aragon, who has failed to produce a male heir, in favor of the young and beautiful Anne Boleyn.

When an orphaned half Korean girl finds herself in small town America with her only living relative, she seeks out a mentor to help with the only things she loves – golf. The best player in town, the widowed optometrist, takes her under his wing, sending them on a journey to face their fear of losing loved ones and their game. The only problem is, he has three months to live.

Young and impulsive Rosetta lives with her alcoholic mother and, moved by despair, she will do anything to maintain a job.

A man with a mysterious past flees the country to escape his own personal hell… only to arrive somewhere much worse. In an effort to survive this new horror, he turns to his personified conscience.