An uptight New York tax lawyer gets his life turned upside down, all in a single day, when he’s asked to escort a feisty and free-spirited female ex-convict whom asks him to help prove her innocence of her crime.
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Nine years ago two strangers met by chance and spent a night in Vienna that ended before sunrise. They are about to meet for the first time since. Now they have one afternoon to find out if they belong together.
Megan Quinn, an aspiring architect has to go back to her home town in order to accomplish a job her boss gave her: convince an old friend to sell her land. Not only is she struggling with the task in hand, and taking care of her father and the family cafe, but she also reconnects with her childhood sweetheart Joe, who broke her heart.
In this Shakespearean farce, Hero and her groom-to-be, Claudio, team up with Claudio’s commanding officer, Don Pedro, the week before their wedding to hatch a matchmaking scheme. Their targets are sharp-witted duo Benedick and Beatrice — a tough task indeed, considering their corresponding distaste for love and each other. Meanwhile, meddling Don John plots to ruin the wedding.
When Frankie Baldwin and Nate Deluca both have a claim to ownership of Sorrento Farm, they are forced to divide the vineyard right down the middle and work the fields alongside each other to bring in the harvest leading up to the Best Wine competition at the annual Autumn Harvest Festival — only this rivalry won’t be settled in the fields, because in spite of their contentious bickering, the simplest way to settle this particular legal dispute is with a romance.
Take Me to the River is a film about the soul of American music. The film follows the recording of a new album featuring legends from Stax records and Memphis mentoring and passing on their musical magic to stars and artists of today.
The show features some great light and sound effects apart from the great music that Eagles is renowned for. The ‘five-part’ harmony song, “Hole in the World” elicits a great crowd participation with the audience providing a ‘clap rhythm’ as the band sings. The song “Life’s Been Good” features some antics by Joe Walsh and Frey with them staging a mock rivalry on stage and the latter having a hearty laugh at the former. The song also features a ‘helmet cam’ session where the crowd gets to see what the camera on Walsh’s helmet points at. Also, the songs “The Boys of Summer” and “Hotel California” feature the first officially documented use by the Eagles of a drum machine in a live performance; in particular, during “Hotel California”, a pre-programmed track is used to simulate the muted guitar strums which provide a steady beat on the original studio recording of the song, and which are absent from all of the previous live performances of it.
This film is released as part of the ongoing 50th anniversary celebration of the Rolling Stones. It tells the story of the Stones’ unparalleled journey from blues obsessed teens in the early 60s to their undisputed status as rock royalty. All of the Stones have been newly interviewed and their words form the narrative arc that links together archive footage of performances, news coverage, and interviews, much of it previously unseen. Taking its title from a lyric in “Jumpin’ Jack Flash,” this film gives the viewer an intimate insight into exactly what it’s like to be part of the Rolling Stones as they overcome denunciation, drugs, dissensions, and death to become the definitive survivors. Over a year in the making and produced with the full cooperation and involvement of the Stones, this film is and will remain the definitive story of the world’s greatest rock ‘n’ roll band
Romain Faubert is a 39 year old, single, medical photographer… and a raging hypochondriac. His doctor and only friend Dr. Dimitri Zvenka thinks he knows the cure for Romain: dating! But with the arrival of freedom fighter Anton Miroslav, everyone might get more then they bargained for…
Jess Parks (Hudon) has a good job, great friends and a cool apartment in the city. She has it all, except the ability to find her perfect match that would appreciate her quirky humor and outgoing nature. The only person that ever truly understood Jess is her lifelong Best Friend Ted (Paevey). Jess and Ted grew up together as neighbors in the suburbs and were inseparable. When Ted reveals to Jess that he’s getting married and asks her to be his Best Man, or in this case Best Woman at his wedding, Jess is happy until she finds out that he’s marrying her high school rival and mean girl Kimberly Kentwood (Kruger). As Jess and Ted spend time together planning his big day, Jess realizes that her perfect match has been Ted all the time but is it too late to be his BFF bride?
This multiple-Oscar-winning film by Roman Polanski is an exquisite, richly layered adaptation of Thomas Hardy’s Tess of the d’Urbervilles. A strong-willed peasant girl (Nastassja Kinski, in a gorgeous breakthrough) is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line. This fateful visit commences an epic narrative of sex, class, betrayal, and revenge, which Polanski unfolds with deliberation and finesse. With its earthy visual textures, achieved by two world-class cinematographers—Geoffrey Unsworth (Cabaret) and Ghislain Cloquet (Au hasard Balthazar)—Tess is a work of great pastoral beauty as well as vivid storytelling.
