Urban horticulturalist Brontë Mitchell has her eye on a gorgeous apartment, but the building’s board will rent it only to a married couple. Georges Fauré, a waiter from France whose visa is expiring, needs to marry an American woman to stay in the country. Their marriage of convenience turns into a burden when they must live together to allay the suspicions of the immigration service, as the polar opposites grate on each other’s nerves.
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Frank Hart is a pig. He takes advantage in the grossest manner of the women who work with him. When his three assistants manage to trap him in his own house they assume control of his department and productivity leaps, but just how long can they keep Hart tied up?
A cynical and burnt-out Los Angeles bounty hunter (Angel Sommers) spends her days surrounded by liars, gamblers, misogynists and other social deviants. And those are just her co-workers. When a contract comes in that’s big enough to fund her dreams of leaving the bounty hunting game and opening her own business, she jumps at the opportunity. The only problem is, the contract is for Tommy Briggs…the man responsible for her father’s murder over a decade ago.
A fractured family, caught in a deadly lightning storm, is forced to come together to save their lives.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
A woman’s panicked decision to cover up an accidental killing spins out of control when her conscience demands she return the dead man’s body to his family.
A climate of civil war, a fight that has made them lose everything including their youth, four soldiers aged 13 to 20 years, will meet and build friendships. In the grip of an adult conflict, which they do not understand, Matéo, Dominique, Big Max and Kevin will keep recreating, round a pond and a cabin, a family.
After a three-year stint in prison, an unreasonably optimistic middle-aged man returns to his stagnant neighborhood to win back his girlfriend only to find that she and his family have done what they always wanted to do — forget he exists.
Struggling to provide her daughters with a safe, happy home, Sandra decides to build one – from scratch. Using all her ingenuity to make her ambitious dream a reality, Sandra draws together a community to lend a helping hand to build her house and ultimately recover her own sense of self.
Starts off in the 15th century, with Connor McLeod (Christopher Lambert) training with another immortal swordsman, the Japanese sorcerer Nakano (Mako). When an evil immortal named Kane (Mario Van Peebles) kills the old wizard, the resulting battle leaves him buried in an underground cave. When Kane resurfaces in the 20th century to create havoc, it’s up to McLeod to stop him.
After Margaret, a divorcée living in Dublin, loses her teenage son, she develops an unorthodox relationship with Joe, a homeless youth. Their tentative trust is threatened by his involvement with a violent gang and the escalation of her ex-husband’s grieving rage.
