Dive in and rock out with the hottest surf sequel under the sun! Now that summer’s over and school has begun, Brady (Ross Lynch) and Mack’s (Maia Mitchell) relationship seems headed for a wipeout — until Lela, Tanner and the “Wet Side Story” kids show up! Dazzled by the novelty and variety of the modern world, Lela wants to stay, but the real world and the “reel” world just don’t mix. Can Mack and Brady find the magic to get the kids home and get their own romance back on track before it’s too late? Packed with electrifying song & dance numbers and hilarious fish-out-of-water wackiness, “Teen Beach 2” is “wow-abunga” fun for everyone!

Call Center Girl is a 2013 Filipino family comedy drama film directed by Don Cuaresma, starring Pokwang, Enchong Dee, and Jessy Mendiola.

A couple suspects that their seemingly perfect adolescent daughter is a heartless killer.

While settling his father’s estate, Finn Conrad becomes suspicious as to why the man left a nurse $50,000. His dad knew her for less than two months before he died. Just before Christmas, Finn wants what to reclaim what he considers his family’s money, going undercover to investigate the bed and breakfast the nurse has recently taken over. When Finn meets Willa, he discovers she’s not a conniving gold digger at all, but a woman in need who put the money to good use. When she discovers his true identity, will it keep Willa from ever trusting him again?

When his peaceful life is threatened by a high-tech assassin, former black-ops agent, Frank Moses reassembles his old team in a last ditch effort to survive and uncover his assailants.

When Callie returns home, she finds her hometown has changed – her first love has a new girl and her family’s BBQ restaurant has hit hard times. She clashes with a marooned bigshot director who might hold the key to saving the restaurant.

A woman lawyer becomes mesmerized by a self-made millionaire during an encounter in Rio setting off a series of erotic encounters.

Silent film master D.W. Griffith’s first talkie works as a companion piece to his classic BIRTH OF A NATION, providing a detailed biographical sketch of the 16th president. We see his birth in a log cabin, the tragic death of his first love, Ann Rutledge (Una Merkel), his debates with Douglas, his accepting of the presidency, the terrible toll of the Civil War, and finally the tragic assassination at Ford’s Theater. Griffith shows his usual meticulous attention to period detail, and the framing of the various vignettes has the feel of historical photographs come to life. Walter Huston is excellent in the title role, with a portrayal that subtly evolves from laconic, wizened rascal to noble elder statesman. This is a fascinating, worthy film, and an interesting historical document in and of itself.

Clarkson, Hammond and May travel across the Middle East in a £3500 sports car to reach Jerusalem, and encounter all the political minefields (and the real ones) the Three Wise Men didn’t.

A shy high schooler struggles to lose his virginity before the local Satanic cult can sacrifice him to the devil.

Before going on vacation, self-involved psychiatrist Dr. Leo Marvin has the misfortune of taking on a new patient: Bob Wiley. An exemplar of neediness and a compendium of phobias, Bob follows Marvin to his family’s country house. Dr. Marvin tries to get him to leave; the trouble is, everyone loves Bob. As his oblivious patient makes himself at home, Dr. Marvin loses his professional composure and, before long, may be ready for the loony bin himself.

Set during the early Joseon Dynasty, the film begins with the queen mother and former concubine (Park Ji-young) in a precarious position of having no blood ties to the childless king (Jung Chan). She schemes to replace him on the throne with his stepbrother and her submissive young son Seong-won (Kim Dong-wook). Indifferent to his mother’s plans, the timid prince falls in love at first sight with Hwa-yeon (Jo Yeo-jeong), an aristocrat’s daughter, who has already found love with Kwon-yoo (Kim Min-joon), a commoner. The king is eventually poisoned to death by the queen mother, who is desperate to be in power. Hwa-yeon is moved to a closely watched humble residence, with the queen mother planning to assassinate Hwa-yeon and her son to secure her position in the palace.