Two decades after surviving a massacre on October 31, 1978, former baby sitter Laurie Strode finds herself hunted by persistent knife-wielder Michael Myers. Laurie now lives in Northern California under an assumed name, where she works as the headmistress of a private school. But it’s not far enough to escape Myers, who soon discovers her whereabouts. As Halloween descends upon Laurie’s peaceful community, a feeling of dread weighs upon her — with good reason.
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Mean and domineering Jane and the sweet and ditsy Jackie are two radically contrasting sisters who suffer from severe trauma after witnessing the murder/suicide of their parents as well as seeing their other sibling Janice raped and killed by her assailants. The pair are deemed fit to re-enter society and get released from a sanitarium where they have undergone extensive rehabilitation therapy. However, Jane and Jackie prove to be anything but sane and harmless as they embark on a vicious spree in which they torture, murder, and mutilate any man luckless enough to cross their lethal paths.
A newlywed couple finds their lake-country honeymoon descend into chaos after Paul finds Bea wandering and disoriented in the middle of the night.
Gabriella, a Columbian immigrant, is obsessed with understanding violent crime. The current string of murders by “The Blue Blood Killer” of affluent Miami socialites provides her with fodder for her scrapbook of death. She lands a job with a post-murder cleaning service and during a Blue-Blood clean-up job, discovers evidence that police have overlooked.
Movie star Shelah Fane is seeing wealthy Alan Jaynes while filming in Honolulu, Hawaii, but won’t marry him without consulting famed psychic Tanaverro first. Tanaverro confronts her about the unsolved murder of fellow film star Denny Mayo three years earlier, and she decides to reject Jaynes’ proposal. When Shelah is found shot to death in her beach-front pavilion, Charlie Chan of the Honolulu Police investigates.
Tells the story of Rainbow Randolph, the corrupt, costumed star of a popular children’s TV show, who is fired over a bribery scandal and replaced by squeaky-clean Smoochy, a puffy fuscia rhinoceros. As Smoochy catapults to fame – scoring hit ratings and the affections of a network executive – Randolph makes the unsuspecting rhino the target of his numerous outrageous attempts to exact revenge and reclaim his status as America’s sweetheart.
The second movie in David Hare’s Johnny Worricker trilogy. Loose-limbed spy Johnny Worricker, last seen whistleblowing at MI5 in Page Eight, has a new life. He is hiding out in Ray-Bans on the Caribbean islands of the title, eating lobster and calling himself Tom Eliot (he’s a poet at heart). We’re drawn into his world and his predicament when Christopher Walken strolls in as a shadowy American who claims to know Johnny. The encounter forces him into the company of some ambiguous American businessmen who claim to be on the islands for a conference on the global financial crisis. When one of them falls in the sea, their financial PR seems to know more than she’s letting on. Worricker soon learns the extent of their shady activities and he must act quickly to survive when links to British prime minister Alec Beasley come to light.
On her first trip to Paris, a young woman hits a party in the Catacombs, the 200-mile labyrinth of limestone.
A psychologist with a keen interest in criminology gets entangled in a tough serial killer case which the police find hard to crack.
A troubled young woman must finally come to terms with her horrific past as she is propelled through dreams into the terrifying fairytale world of the Red Kingdom where she encounters figures reminiscent of her memories and fears. ‘Red Kingdom Rising’ is inspired by ‘Alice’s Adventures in Wonderland’.
Incensed by the tabloid culture which celebrates it, the L.A. Slasher publicly abducts a series of reality TV stars, while the media and general public in turn begin to question if society is better off without them. A biting, social satire about reality TV and the glorification of people who are famous for simply being famous, “L.A. Slasher” explores why it has become acceptable and even admirable for people to become influential and wealthy based on no merit or talent – purely through notoriety achieved through shameful behavior.
