In WWII Western Germany, Private David Manning reluctantly leaves behind a mortally wounded fellow soldier and searches for survivors from his platoon, only to learn from commanding officer Captain Pritchett that they have all been killed in action. Despite requesting a discharge on the grounds of mental disability, Manning is promoted to sergeant and assigned to lead a new platoon of young inductees.
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A getaway driver finds himself in harm’s way when he gets caught up in a job involving casino heist money leading to a debt over his head.
As the home planet of the Green Lantern Corps faces a battle with an ancient enemy, Hal Jordan prepares new recruit Arisia for the coming conflict by relating stories of the first Green Lantern and several of Hal’s comrades.
A star-crossed love story set in the world of polyamory and sex parties in New York City.
Lucky Bastard is a “found footage” thriller about a porn website run by Mike (Don McManus) that invites fans to have sex with porn stars. Jay Paulson plays Dave, an eager young fan given a chance to have sex with the fabulous Ashley Saint (Betsy Rue). But everyone gets more than they bargained for in the seemingly mild-mannered Dave… with gruesome results. The film is captured by the “Lucky Bastard” porn cameras for a fresh take on the “found footage” genre
The youngsters Matahi and Reri are in love with each other. The old warrior Hitu announces that Reri is to be the new chosen virgin for the gods. This means she must stay untouched, otherwise she and her lover will be killed. But Matahi abducts and escapes with her to an island ruled by the white man, where their gods would be harmless and powerless. Tabu is the last film from director F.W. Murnau; he died before the film’s premiere in a car accident.
Lovely Linda Mason has crooner Jim Hardy head over heels, but suave stepper Ted Hanover wants her for his new dance partner after femme fatale Lila Dixon gives him the brush. Jim’s supper club, Holiday Inn, is the setting for the chase by Hanover and manager Danny Reed. The music’s the thing.
Legendary filmmaker Werner Herzog returns with INTO THE ABYSS: A TALE OF DEATH, A TALE OF LIFE, a riveting examination of a horrible crime which probes the human psyche to explore why people kill–and why the state kills. In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), the filmmaker achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.
A vivid, dynamic Southern coming-of-age drama, takes place in the transitional space between high school and college, when life seems to be all questions and no answers, and the future is scarily wide open. Set in and around a Charleston, SC Baptist church, weaving through this ensemble piece are three main characters – Brea, an introspective pastor’s daughter experiencing debilitating doubt, the hyperactive Laura, Brea’s best friend and a devout believer, and Tim, the open-hearted son of a single father, confronting his homosexuality for the first time. Tensions and buried feelings abound, as colleges are chosen and adults behave badly, as Brea, Laura and Tim attempt to hang onto what they have, all the while yearning to break free.
An outlaw and his ex-con grandfather team up for a big score, but a ruthless killer stands in their way.
