Melanie Ballard (Natasha Henstridge) is a hard nosed police chief in the year 2025. She and a police snatch squad are sent to Mars to apprehend a dangerous criminal James Williams (Ice Cube). Mars has been occupied by humans for some time and they have set up mining facilities. The mining activities on Mars have unleashed the spirits of alien beings who gradually possess the bodies of the workers. It soon turns out that catching the dangerous fugitive takes a back seat as the alien spirits begin to rid their planet of the ‘invaders’.
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After 23 horrifying days of gorging on human flesh, an ancient creature known as the Creeper embarks on a final voracious feeding frenzy, terrorizing a group of varsity basketball players, cheerleaders and coaches stranded on a remote highway when their bus breaks down. The terrified group is forced to come together and do battle against the winged creature hell-bent on completing its grizzly ritual.
Ji-wook is a cold-blooded detective who would brutally assault and stop at nothing to catch criminals. However, despite her perfectly masculine appearance, Ji-wook struggles with a secret desire to be a woman. At last, Ji-wook decides to transition. However, a gang Ji-wook brutally arrested by force plots revenge against him. While Ji-wook resigns and secretly dreams of transitioning into a woman, people close to her get caught up in a conspiracy and killed. When the one person he must protect, Jang-mi, also falls in danger, Ji-wook faces a crossroads in making his choice.
In one of his rare performances without Bud Abbott, Lou Costello plays a delivery boy who invents a machine which turns his girlfriend into a giantess.
A homeless man (Kevin Kenny) begins a killing spree on the streets of New York City. Completely deranged and barely aware of his own identity, he makes little attempt at concealing his actions. But in a city with 50,000 homeless citizens, our killer finds himself effortlessly camouflaged. Steel yourself for a non-stop onslaught of violence and disgusting imagery. Blending horror, drama, and dark comedy, Crazy Murder is a disaster film at its core – featuring a tornado of death, a tsunami of blood, and a volcano of faeces.
The Fantastic Four return to the big screen as a new and all powerful enemy threatens the Earth. The seemingly unstoppable ‘Silver Surfer’, but all is not what it seems and there are old and new enemies that pose a greater threat than the intrepid superheroes realize.
After a car accident, Michelle awakens to find herself in a mysterious bunker with two men named Howard and Emmett. Howard offers her a pair of crutches to help her remain mobile with her leg injury sustained from the car crash and tells her to “get good on those” before leaving the bunker. She has been given the information that there has been an alien attack and the outside world is poisoned. However, Howard and Emmett’s intentions soon become questionable and Michelle is faced with a question: Is it better in here or out there?
When neighborhood kids begin vanishing, Jenny suspects her child psychologist husband, Carter, may be resuming the deranged experiments his father performed on Carter when he was young. Now, it falls to Jenny to unravel the mystery. And as more children disappear, she fears for her own child’s safety.
A civil war broke out in the 1950s between North and South Korea which changed the country forever. 71: Into the Fire centers on the struggles of 71 student soldiers who fought through the Korean War. Using real people and events based on the opening moves of the Battle of P’ohang-dong, the film exposes the personal and physical conflicts that these students faced when finding themselves on the last line of defense at P’ohang-dong Girl’s Middle School against the NKPA’s advancement, needing to hold out until back up from other Korean troops and the Allies arrived.
Set years ago in the era of the Joseon Dynasty, the story follows a young police officer named Namsoon (Ha Ji-won) who, along with her fellow officers, discovers a counterfeit ring operating out of the area they’ve been assigned to protect. However, as the criminals aren’t just printing up their own money, they also plan to use it to topple the economy and take down the government. As her investigative work continues, Namsoon soon makes the acquaintance of a young man known only as Sad Eyes (Gang Dong-won), for the way that he looks out at you from underneath his hair – he doesn’t say much, but he’s got that look and that’s all it takes to pique Namsoon’s interest in him, even if she shouldn’t be thinking those thoughts about someone she might have to toss in jail. Of course, Namsoon can’t deny her feelings even if the object of her affection belongs behind bars, and it’s not long before she’s starting to act on her emotions.