Louis stays with the residents of a soon to open brothel in Nevada for a few weeks.
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Iranian American comic Maz Jobrani lights up the Kennedy Center with riffs on immigrant life in the Trump era, modern parenting pitfalls and more.
Feature documentary about humor and the Holocaust, examining whether it is ever acceptable to use humor in connection with a tragedy of that scale, and the implications for other seemingly off-limits topics in a society that prizes free speech.
A filmmaker discovers a box of video tapes depicting two students’ disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.
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Amy Tan has established herself as one of America’s most respected literary voices. Born to Chinese immigrant parents, it would be decades before the author of The Joy Luck Club would fully understand the inherited trauma rooted in the legacies of women who survived the Chinese tradition of concubinage.
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This is the story of how superheroes from Tim Burton’s prototype blockbuster Batman, Blade, X-Men, Spiderman to Iron Man and the Black Panther brought to life from the pages of comic books, first took over Hollywood and then conquered the world through action films with larger-than-life characters.
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Time Is Illmatic is a feature length documentary film that delves deep into the making of Nas’ 1994 debut album, Illmatic, and the social conditions that influenced its creation.
Guy Martin wants to build a working replica of a World War One tank, pass his tank driving test and drive the machine at Lincoln’s Remembrance Day parade.
The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.
It is becoming increasingly difficult to protect ourselves from extreme financial volatility. This feature documentary will examine the mechanics behind bubbles and crashes, and discuss trends and visions for the future.