Imagine leaving everything you have, everyone you know, everyone you love, behind. Having to cross half a continent on foot, atop freight trains, inside truck trailers. Swimming across wild rivers. Crossing borders illegally. Walking across the Arizona desert. Being shot at, robbed and beaten. Raped. Surviving it all. Crossing into the USA, after life in the poorest parts of Central America. Succeeding. Now. In the “promised” land, you don’t belong, legally; or socially. You don’t understand the language. No one knows you arrived, no one knows you exist. Imagine…. being Nobody. Then imagine a bag being shoved over your head. Getting your clothes stripped from you. Getting tossed in a closed room with a dozen others. A loaded gun is pointed at your head. You are forced to call back home and beg for money, a ransom for your life.
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Since they were both five, Ryosuke has been stalked by Momoko – the ugliest girl in the village. Her love for Ryosuke is so boundless that she has her face surgically altered to suit his taste – but still he wants nothing to do with her. Ryosuke goes in for fleeting romance – for example, with the girlfriend of a gangster boss. But when he finds out about their affair, he has Ryosuke’s little finger hacked off. Magically, the finger falls into Momoko’s hands, and she uses it to clone Ryosuke, so she can finally have him (or almost him) for herself. And this is just the first five minutes of Lisa Takeba’s short-but-powerful feature debut. Just like in her previous short films, the director – who cut her teeth in the advertising world and as the writer of a video game – throws a lot of genres and techniques into the mix: from science fiction to gangster films, from hospital eroticism to animation. Hectic and absurd, but with its heart in the right place. © IFFR
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