A tech innovator creates a cutting-edge crowd-sourcing hub to solve his own daughter’s murder, as well as revolutionizing crime solving in San Francisco.

Crossing Jordan is an American television crime/drama series that stars Jill Hennessy as Jordan Cavanaugh, M.D., a crime-solving forensic pathologist employed in the Massachusetts Office of the Chief Medical Examiner.

Based on a true story, this four-part drama tells the story of the murder of 11-year-old Rhys Jones in Croxteth, Liverpool, in 2007. It explores Melanie’s and Steve’s ordeal, and tells of how Rhys’ murderer and associates were eventually brought to justice.

The lives of the elite Navy Seals as they train, plan and execute the most dangerous, high-stakes missions our country can ask.

Kabir, a brilliant but non-conventional officer of the Crime Branch, puts the pieces together of seemingly unconnected deaths of organ donors that lead up to an unlikely suspect – the affable Danny. Kabir will not stop till he cracks the case and delivers justice.

In Transylvania in 1897, the blood-drinking Count is drawing his plans against Victorian London. And be warned: the dead travel fast.

Breaking Bad is an American crime drama television series created and produced by Vince Gilligan. Set and produced in Albuquerque, New Mexico, Breaking Bad is the story of Walter White, a struggling high school chemistry teacher who is diagnosed with inoperable lung cancer at the beginning of the series. He turns to a life of crime, producing and selling methamphetamine, in order to secure his family’s financial future before he dies, teaming with his former student, Jesse Pinkman. Heavily serialized, the series is known for positioning its characters in seemingly inextricable corners and has been labeled a contemporary western by its creator.

The World at War is a 26-episode British television documentary series chronicling the events of the Second World War. At the time of its completion in 1973 it was the most expensive series ever made, costing £900,000. It was produced by Jeremy Isaacs, narrated by Laurence Olivier and includes a score composed by Carl Davis. A book, The World at War, was written by Mark Arnold-Forster, and released in 1973, to accompany the TV series.

Since production was completed, The World at War has attracted acclaim and is now regarded as a landmark in British television history. Following the time of its completion, and as the Second World War remained fresh in many people’s minds, the producer Jeremy Isaacs was considered ahead of his time in resurrecting studies of military history. The series focused on, among other things, portrayal of the devastating human experiences of the conflict; how life and death throughout the war years affected soldiers, sailors and airmen, civilians, the tragic victims of tyranny and concentration camp inmates.

Out to avenge his mother’s death, a college student pledges a secret order and lands in a war between werewolves and practitioners of dark magic.

“Rogue” revolves around Grace, a morally and emotionally-conflicted undercover detective who is tormented by the possibility that her own actions contributed to her son’s death. Grace’s search for the truth is further complicated by her forbidden relationship with Jimmy, the crime boss who may have played a hand in the crime. A smart, complex, character-led thriller, “Rogue” explores loss, grief, identity, family bonds, second chances and redemption. Both Grace and Jimmy not only struggle with who they are, they struggle with who they want to be. Both cross the line – morally, emotionally, sexually – with devastating consequences for their own lives and those around them.

InthemonthsfollowingthesuccessfulresolutionoftheLulaLandrycase,businesshasimprovedforprivateinvestigatorCormoranStrike.Whilehandlingasteadystreamofdivorcecasesandtheoccasionaljobonbehalfofatabloidjournalist,StrikeisapproachedbyLeonoraQuinewithapleatolocateherhusband,thenotoriouswriterOwenQuine,whohasdisappearedwithoutatrace

Vera, a mother of two children, is left by her husband and looses her job all at once. She gets a job offer in another town, grabs her children and their belongings and moves there for a fresh new start in life. Before she gets there she hits a boy with her car. In chock, she assumes the boy to be dead. But is it really Vera who killed him?