Irresponsible party girl Maggie (Cameron Diaz) is kicked out of her father’s (Ken Howard) and stepmother’s (Candice Azzara) home, where she lives for free, and is taken in by her hard-working sister, Philadelphia lawyer Rose (Toni Collette). After Maggie’s disruptive ways ruin her sister’s love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.
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After Eric and Chloe’s breaking up, something happens in their lifes.
Do directors have any sense? Are they employing teenagers to do the background sounds? This is NOT a Walt Disney Animation where one needs sounds because no one actually speaks in the movie! I felt like I was watching Fantasia! I can hardly make out the voices of the actors due to the racket of the sound track which really should be faint and in the background! This feature is pretty bad, but it’s not the only movie which has overbearing background “music”! When one watches movies made in the 50s, 60s, 70s even 80s at least we can hear the spoken words! Now if not for the “realistic” traffic noises in a street/outdoor scene where there is indistinguishable dialogue, the majority of the presentation is drowned in excessively loud music! OK, I am not a young kid with perfect hearing, but I am not deaf! As for the movie, very predictable.
Steven Keats plays a Russian emigre who prides himself on the way he’s molded himself into a real Yankee in the USA, though the world he lives in, New York’s Lower East Side in the late 19th century, is almost exclusively populated by other Jewish immigrants. When his wife (Carol Kane) finally arrives in the New World, however, she has a lot of assimilating to do. This causes the tension which drives the movie along, though it maintains a fairly light atmosphere most of the time.
A socially awkward band geek, Steven Turano, is planning on killing himself. However, when Clarence, the new quirky kid in school, befriends him, Steven’s plans are sidetracked and he reaches beyond his comfort zone forming stronger relationships with his father, friends and teachers. The boys form an inseparable bond as Clarence finds creative ways to pull Steven out of his depression.
On the surface, Hunter (Haley Bennett) appears to have it all. A newly pregnant housewife, she seems content to spend her time tending to an immaculate home and doting on her Ken-doll husband, Richie (Austin Stowell). However, as the pressure to meet her controlling in-laws and husband’s rigid expectations mounts, cracks begin to appear in her carefully created facade. Hunter develops a dangerous habit, and a dark secret from her past seeps out in the form of a disorder called pica – a condition that has her compulsively swallowing inedible, and oftentimes life-threatening, objects. A provocative and squirm-inducing psychological thriller, SWALLOW follows one woman’s unraveling as she struggles to reclaim independence in the face of an oppressive system by whatever means possible.
A sex scandal that shook Massachusetts prep school, Milton Academy in 2004-05 school year.
Emilia Martin, a cartographer of school maps, has plans for a cozy Christmas at home until her boss has a last-minute project for her, designing a novelty treasure map of the North Pole. Emilia decides to seek out the expertise of North Pole explorer Drew Campbell, who reluctantly agrees to help her. As the two work closely, they discover more than either of them ever expected.
Oppressed by her family setting, dead-end school prospects and the boys law in the neighborhood, Marieme starts a new life after meeting a group of three free-spirited girls. She changes her name, her dress code, and quits school to be accepted in the gang, hoping that this will be a way to freedom.
Hapless Insurance Loss Adjuster – Martin Dyer – feels his life is spiralling out of control but discovers that even when you reach rock bottom, that some clouds really do have a silver lining.
When word hits the street that a nearby elderly gentleman has a cache of old, rare, and very valuable mint condition comic books, rival comic book shop owners Raymond McGillicuddy (Donal Logue) and Norman Link (Michael Rapaport) both set out to be the first to buy them. But when the old man declines to sell, the former friends turn into enemies, and a friendly rivalry becomes tainted with greed and turns to murder.
