Justin Quayle is a low-level British diplomat who has always gone about his work very quietly, not causing any problems. But after his radical wife Tessa is killed he becomes determined to find out why, thrusting himself into the middle of a very dangerous conspiracy.
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Samantha Crawford is living a storybook life: she’s happily married, she lives on a ranch where she keeps her beloved horse, and the stories she’s told and illustrated since childhood have become published books. When her husband Billy is killed in a senseless act of violence, Sam loses her faith and her will to live. But a death-defying encounter with two children leads to a reunion with Joe, her oldest friend. As Sam watches “Papa” Joe care for and love the kids in his under-resourced neighborhood, she begins to realize that no matter life’s circumstances, the love of God is always reaching out to us.
When Leif’s estranged mother, Honey dies she leaves him a ‘conditional inheritance’. He has to complete her elaborate to-do list before he gets her cabin in Yosemite. Leif steps into Honey’s wild world as the mother he never really knew tries to make amends from beyond the grave.
Nell, Simon, and their boy Art are ready to welcome friends and family for what promises to be a perfect Christmas gathering. Perfect except for one thing: everyone is going to die.
THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.
Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.
The passengers on the Night Bus have many different stories — some are lovers, some have dark secrets, some are looking for a fight, others are just trying to get through the night.
The Punk Syndrome is a film about Finland’s most kick-ass punk rock band, Pertti Kurikan Nimipäivät. The band members, Pertti, Kari, Toni and Sami, are mentally handicapped and they play their music with a lot of attitude and pride. We follow these professional musicians on their journey from obscurity to popularity. We watch them fight, fall in love and experience strong emotions. We witness long days in the recording studio and on tour. They laugh, cry, drink and fight over who gets to sit in the front on the tour bus. Then it’s time to make up and go talk to people in the audience and tell them how great their band is.
WORST FRIENDS is the story of two childhood friends who are forced to re-think their friendship as adults. When Jake (Richard Tanne) is injured in a car accident, the only person willing to take care of him is his childhood friend Sam (Noah Barrow). With the aid of a tough-as-nails physical therapist (Cody Horn), Sam helps Jake recuperate, but when Sam’s high school crush (Kristen Connolly) enters the picture, old habits and bitter rivalries resurface, threatening to tear their friendship apart.
Surgeon Simon Thorne suffers from paranoia, obsessions and hallucinations, and loses both his wife and his job. But then he meets a couple from one of his dreams where they kill him. So he has to kill them first.
A fading smalltime barber is forced to hire the last person on earth he’d want working in his shop – a woman.
