It’s recruiting time and despite being short and scrawny, Johnny Walker is America’s hottest young football prospect. His dilemma: should he take one of the many offers from college talent scouts or should he attend the local state college with his girlfriend and give up his football career?
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A wanna-be director is given 48 hours by a producer to find the best groan of pain, worthy of an Oscar, as the only condition to back his film.
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From his humble beginnings in his hometown of Sheffield, England, Steve Peat has established himself as one of the worlds most iconic cyclists. Peaty has been competing at the top level in his chosen sport of downhill mountain bike racing for the past 23 years, longer than the lifetime of many of his current competitors. Through 20 years of archival footage and photos and intimate interviews with Steve, his family, close friends and competitors, Won’t Back Down takes viewers on a captivating tour of the history of the sport of downhill mountain bike racing and offers a never-before-seen view into the life and legacy of this enduring icon.
Éric and Patrice have been friends since high school. Over the years, they have both taken very different paths: Éric has become a hedonist, has a string of girlfriends and is always on the look out for a new one; Patrice has become a monogamous father with a very ordered life. After a drunken evening, the two childhood friends find themselves cast back into 1986, when they were 17 years old. This return to the past is a dream opportunity to try to change the path their lives will take. What will they do with this second chance?
Standup comedian Aziz Ansari (“Parks and Recreation”) headlines his third standup special, where he shares his uniquely hilarious perspective on fears of adulthood, babies, marriage, and more. Ansari’s look at life on the cusp of 30 years old is smart, unfiltered, and hysterical.
A hyper-hipster 1980s horror comedy about a group of teenagers that discover a mysterious abandoned building where bad things happen. Shot in Wisconsin for $6000, Blood Junkie is a refreshing new vision in DIY independent film making.
In England, the times are a changing: it’s mods and rockers. On the day Nancy gets off the London train, cases in hand, looking for the YWCA, Colin has had enough of missing out on the sexual revolution. He begs his smooth (and misogynistic) pal Tolen to teach him ‘the knack’ – how to score with women. Serendipitously, Colin and his new lodger Tom meet up with Nancy while Colin’s buying a bed larger than Tolen’s. The three hit it off, but their simple fun ends when Tolen meets Nancy. Colin is jealous but impotent, and Tolen both attracts and repels her. She swoons, wonders what happened, and cries ‘rape.’ Impish serendipity rubs against unsettling ambiguity.
An American gets a ticket for an audience participation game in London, then gets involved in a case of mistaken identity. As an international plot unravels around him, he thinks it’s all part of the act.
A group of hard-partying Brooklyn hipsters are stalked and savagely murdered by a masked maniac known as the Bushwick Party Killer.
Fast-forward five years and things havent quite gone as the boys might have planned: Albert is now married to Tania and they are living in suburbia, both working in insurance and also trying (unsuccessfully) to have a baby; Sefa and Leilani are still together and now have two kids although despite Sefas proposal, theyre still not married. And while Sefas business is falling apart, Leilani seems to be living life to the full; Stanley is now a trainee Deacon in the Future Church; Michael has moved to Australia but the boys dont hear from him often; and Bolo has thrown in his job with Sefa and taken up work with Sione, Michaels younger brother.
The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..
