A psychic’s ominous reading sends a man into a tailspin.

Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.

In a desolate, future world, after civilization has collapsed, a wanderer fights to save a virgin mother from a powerful magician and, with her, searches for a mythical city containing the world’s last survivors.

The story takes place in alternative America where the blacks are members of social elite, and whites are inhabitants of inner city ghettos. Louis Pinnock is a white worker in a chocolate factory, loving husband and father of two children. While delivering a package for black CEO Thaddeus Thomas, he is mistaken for a voyeur and, as a result, loses his job, gets beaten by black cops and his family gets evicted from their home. Desperate Pinnock takes a gun and kidnaps Thomas, demanding justice.

A friend of the detective has been is murdered. During the investigation, he comes across a source which tells him that his friend was murdered for involvement with the dark side of the political world. On top of that, a woman approaches the detective with a request.

A young filmmaker returns home after many years away, to write a script about his childhood, only to find his neighborhood unrecognizable and his childhood friends scattered to the wind.

At the end of the worst day in his life, Arun Prajapati (Salman Khan) angrily rages against God for making his life miserable. To his astonishment, God (Amitabh Bachchan) appears before him in human form and endowing Arun with all of his divine powers, challenges Arun to take on the big job and see if he can do it any better.

There is something horribly wrong with the bodies found in the dark city streets. Some are mutilated while others have the Price equation (wΔz = Cov (w,z) = βwzVz) carved into their flesh. Detective Eddie Argo and his new partner Helen Westcott unearth the meaning of the odd equation and realise each victim is being offered a gruesome choice: kill your loved ones, or be killed. Before long it becomes clear that the perpetrator has suffered a similar fate and is now coping by seeking a way to solve this philosophical dilemma.

Derek Vineyard is paroled after serving 3 years in prison for killing two thugs who tried to break into/steal his truck. Through his brother, Danny Vineyard’s narration, we learn that before going to prison, Derek was a skinhead and the leader of a violent white supremacist gang that committed acts of racial crime throughout L.A. and his actions greatly influenced Danny. Reformed and fresh out of prison, Derek severs contact with the gang and becomes determined to keep Danny from going down the same violent path as he did.

A mysterious Inspector investigates the wealthy Birling family and their dinner guests following the suicide of a young woman.

Shanghai has a park where parents can match-make their unwed children. This is just one love story in a city of 20 million lovers.

This third and final film of the Falls trilogy revisits former Mormon missionaries Chris and RJ, six years after they first fell in love and were disciplined for it, as they formulate a plan to be together at long last.