The senior year of a girls’ high school step team in inner-city Baltimore is documented, as they try to become the first in their families to attend college. The girls strive to make their dancing a success against the backdrop of social unrest in their troubled city.

In Chile’s Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet’s regime.

A documentary film that takes us on a scientific and spiritual journey where we discover that by changing one’s perceptions, the human body can heal itself from any disease.

Public Sex, Private Lives is an intimate look at the professional and private lives of porn performers Lorelei Lee, Princess Donna, and Isis Love. Capturing moments of joy and struggle, this film follows the characters as they navigate their lives as artists, daughters, mothers, writers, and women who have made careers in the adult industry. Asked to defend their choices to their families, communities, and even the United States Government, these women share their unique motivations and shifting visions for the future.

In Search of Blind Joe Death: The Saga of John Fahey is a documentary film about the legendary American guitarist, composer and provocateur John Fahey, 1939-2001. Fahey is often considered the godfather of ‘American primitive guitar’. This cinematic exploration features Pete Townshend, Chris Funk of The Decemberists and Joey Burns of Calexico. These stellar musicians, along with Fahey associates and friends such as the famous ‘Dr. Demento’, radio broadcaster Barry Hansen, explore the legacy of this profoundly influential artist. The film was recorded in the Washington D.C. area where John Fahey was born, along the Mississippi Delta from Memphis to New Orleans, in Los Angeles, Toronto, Austin, New York and in Oregon where Fahey spent his last two decades.

Through interviews with leading psychologists and scientists, Neurons to Nirvana explores the history of four powerful psychedelic substances (LSD, Psilocybin, MDMA and Ayahuasca) and their previously established medicinal potential. Strictly focusing on the science and medicinal properties of these drugs, Neurons to Nirvana looks into why our society has created such a social and political bias against even allowing research to continue the exploration of any possible positive effects they can present in treating some of today’s most challenging afflictions.

Told through the lens of Janaé and Bella, two fierce abolitionist leaders, Unapologetic is a deep look into the Movement for Black Lives, from the police murder of Rekia Boyd to the election of Mayor Lori Lightfoot.

Off-Road Racing. It’s a form of racing that tests man and machine against the unknown. The terrain, the trails, the courses and everything around it is constantly evolving. Off-road racers must be incredibly versatile and able to excel in any type of terrain. See what things are like, From The Other Side….

Covering the dire elephant poaching crisis: poachers, rangers, victims and those who save the elephants. An unbridled terrorist-driven slaughter of the African elephant; weighs both the human and environmental toll.

A documentary of game sound from the Victorian arcades through to today, with a special focus on video game sound, but also including mechanical games and pinball. Beep is a feature film, but also a series of webisodes and DVD extras, a book, and a collection of resources found on the Beep website.

Mountain Rivera is at the end of his boxing career after a knockout by Cassius Clay in the seventh round. His left eye is one punch from permanent trauma, his ears turned to cauliflower, his speech slurred from “being hit a million times,” and he slings punches anytime he hears a bell, but his trainer and ‘cutman’ Army, and Miss Miller, a manipulative social worker, support his illusion that he could be a movie usher, a camp counselor, or a romantic partner for Miller.

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late ’60s British society. Constructed as a montage of various disconnected political acts (in line with Godard’s then appropriation of Soviet director Dziga Vertov’s agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.