A young man and woman fall in love but are threatened to be torn apart by the tensions between their Latino and Caucasian communities in Arizona.
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This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
Boy meets girl, boy falls in love with girl, girl suffers an obsessive compulsive disorder, boy and girl live happily ever after.
High schooler Jason has found his dream girl—the gorgeous Anastacia. There’s just one problem: she doesn’t know he exists. If he can win a spot on the school’s hottest dance crew, Jason might have a shot. But before he does, he’ll have to overcome his battle-ax of a mother, survive Anastacia’s gangsta brother, and pass the crew’s initiation—in this fresh, sexy, and outrageously funny comedy.
A nurse living in small town goes on a blind date with a man who is not the person he says he is.
A young woman Mianhua (“Cotton”) gets a job which she has never done before: to be a full-time caretaker of an old stubborn boxer who suffers from Alzheimer’s disease. The old man’s son with his later wife lives overseas and almost takes no care of him, and his daughter with his ex-wife hires Mianhua to take care of him – but the daughter distrusts and despises all nannies for “knows only lying, abusing, and taking advantages”. Under the same roof, however, the old man and Mianhua start to get along with each other well over time, and he starts to mistake Mianhua as his ex-wife whom he owed a love debt to. All of a sudden, Mianhua finds out that she got pregnant…
When a seemingly straight-forward drug deal goes awry, XXXX has to break his die-hard rules and turn up the heat, not only to outwit the old regime and come out on top, but to save his own skin…
Prequel to 2004 coming-of-age live-action film Hana & Alice. After her parents separate, 14 year-old Tetsuko (who will soon be nick-named Alice) moves with her mother to a new town in what she calls “The Boonies” and must enroll as a transfer student in a new middle school. She immediately finds herself bullied due being assigned the seat of “Judas” who is said to have been murdered over a year before. She is told that if anybody knows his fate it would be Hana, the recluse in the house next door, who has been unable to bring herself to attend class since “Judas” disappeared.
Tharlo is an orphan. Now grown up, he makes a living as a sheep herder in the village. He has grown a ponytail, so people simply call him “Ponytail”, since nobody remembers his real name anyway. Tharlo has a remarkable memory. He remembers so many things, except his own name. He is now in his forties, and he has yet to have his first woman. Now Tharlo goes to town to take a photo for his identity card. He meets a girl in the barber’s shop who changes the course of his life. He embarks on the journey to find his true self. He sells all his sheep and those entrusted by other villagers to him for care, and decides to use the money to go out into the world with the girl, only to find himself being deceived and cheated by her. Ironically, in his journey of self-discovery, Tharlo has lost his sense of self. As he witnesses in the mirror his ponytail being cut off and leaving him bald, he can no longer see himself as a man with a history that he recognizes.
Bima and Dara are lovers who are still in high school. At the age of 17, they were determined to copulate outside of marriage. Dara was pregnant. Both are then confronted with a life that is unimaginable for children of their age, life as parents.
The main hero of the film is an electrician with a far greater effect on the people around him than his job defines. He is the last link in a huge energetic system and he becomes the binding bridge between the geopolitical problems of post-soviet space and the common people. The economic devastation of the country had an enormous impact on the industrial workers and yet despite the upheaval, these people did not seize to love and suffer, to have and be friends and to enjoy their lives. In particular our resilient electrician, who possesses a wonderful and open heart. He not only brings electric light (which is often out) to the lives of the inhabitants of this small city, but he also spreads the light of love, loyalty, life and mainly laughter.
Things couldn’t be going better for Harry and Grace, a young New York City couple in love, until Grace’s mother turns Harry’s world upside down.
