A group of people are connected through a loss.
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David, a struggling comedy writer fresh off from breaking up with his boyfriend, moves from New York City to Sacramento to help his sick mother. Living with his conservative father and much-younger sisters for the first time in ten years, he feels like a stranger in his childhood home. As his mother’s health declines, David frantically tries to extract meaning from this horrible experience and convince everyone (including himself) that he’s “doing okay.”
Young pilot Branson (Louis Koo) recently takes over Skylette, his father’s aviation empire, only to realise his old flames Cassie (Charmaine Sheh) is a flight attendant there. Several years ago, he was forced to break up with her and move to New York to take care of his father’s business. To this day, the two continue to harbour feelings for each other but decide to keep them bottled up. In an effort to rebrand the airline, Branson invites rock idol TM to star in an upcoming commercial and appoints Sam (Fransic Ng) as her flying consultant. Incongruent in both tastes and experience, this odd couple gets off on the wrong foot. As the shoot progresses, however, they slowly discover each other’s merits, developing a strong mutual attraction. Jayden (Julien Cheung) has left Skylette Airline to become a pilot for private jets. He meets the young and vivacious Kika (Kuo Tsai Chieh) during a flight and assumes her to be wayward and shallow…
A group of scientists in San Francisco struggle to stay alive in the aftermath of a plague that is wiping out humanity, while Caesar tries to maintain dominance over his community of intelligent apes.
A man and woman meet and try to have a romantic affair, despite their personal problems and the interference of their disapproving friends.
When her best friend vanishes during a girls’ trip to Croatia, Beth races to figure out what happened. But each clue yields another unsettling deception.
Alternately tragic and comic, an exploration of the complexities of love in both its brightest and darkest corners. Adapted from John Irving’s best-selling novel A Widow for One Year, the film is set in the privileged beach community of East Hampton, New York and chronicles one pivotal summer in the lives of famous children’s book author Ted Cole (Jeff Bridges) and his beautiful wife Marion (Kim Basinger). Their once-great marriage has been strained by tragedy. Her resulting despondency and his subsequent infidelities have prevented the couple from confronting a much-needed change in their relationship. Eddie O’Hare, the young man Ted hires to work as his summer assistant, is the couple’s unwitting yet willing pawn – and, ultimately, the catalyst in the transformation of their lives.
An ominous dream convinces 77-year-old Dayanand Kumar that his end could be near. He takes the news to his son Rajiv, knowing he wants to breathe his last in the holy city of Varanasi and end the cycle of rebirth, by attaining salvation. Being the dutiful son he is, Rajiv is left with no choice but to drop everything and make the journey with his stubborn father. Daya and Rajiv check into Mukti Bhawan (Hotel Salvation) in Varanasi, a guesthouse devoted to people who want to die there. But as the days go by, Rajiv struggles to juggle his responsibilities back home, while Daya starts to bloom in the hotel. Rajiv gives his father a shot at salvation but as family bonds are tested, he finds himself torn, and not knowing what he must do to keep his life together.
During a commemoration for Japanese soldiers fighting in the US Army during World War II, Mr. Miyagi meets the widow of his commanding officer. He gets to know her granddaughter Julie, an angry teenager who is still feeling the pain of losing both her parents in an accident and is having problems with her grandmother and her fellow pupils. Mr. Miyagi decides to teach her karate to get her through her pain and issues and back on the right path.
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Depressing and realistic family drama about the struggles of unemployment and poverty in 1930s Lancashire. The 20-year-old Kerr gives an emotionally charged performance as Hardcastle, one of the cotton workers trying to make life better. Interlaced with humour that brings a ray of sunshine to the pervasive bleakness, this remains a powerful social study of life between the wars, and was a rare problem picture to come out of Britain at the time.
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