A guy wakes up after a wild night and finds out that his life is in ruins.

Military-trained hitman, Jacob Tate (Kent Faulcon), has been sent by his handler (Eric Roberts) to a small Southern town with orders to eliminate a beautiful English teacher, Diane Shaw (Denise Boutte). When Diane mistakes Jacob for her long-lost brother, he uses the guise to find the perfect moment to kill her, but soon finds himself drawn into her frank and colorful family. Now this professional assassin is left to choose between executing what should be an easy murder-for-hire and trying to solve the mystery of who would want the innocent Diane dead.

Match Point is Woody Allen’s satire of the British High Society and the ambition of a young tennis instructor to enter into it. Yet when he must decide between two women – one assuring him his place in high society, and the other that would bring him far from it – palms start to sweat and a dark psychological match in his head begins.

A student writer struggles to find a happy ending for her romantic story when her own real life romance falls apart.

On assignment while photographing a female suicide bomber in Kabul, Rebecca – one of the world’s top war photojournalists – gets badly hurt. Back home, another bomb drops as her husband and daughters give her an ultimatum: her work or her family.

A nurse living in small town goes on a blind date with a man who is not the person he says he is.

Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi

A Chinese problem child from the US is sent to live with his uncle in China. He immediately runs into difficult situations there, such as a rabbit thief, the secret crush of his uncle, and some classmates who aren’t exactly welcoming to him. But luckily he has some excellent kung fu skills.

A woman reeling from the death of her parents becomes attached to an alluring man whose sudden disappearance sends her and her friends into a haunted high-rise to find him.

Two friends named Gerry become lost in the desert after taking a wrong turn. Their attempts to find their way home only lead them into further trouble.

Maarit Lalli film a woman who knew how to say yes, and the man who could not say no. Ricky Kalin (Antti Luusuaniemi) is a real estate agent who loves women. Annika Lahti (Pihla Viitala) is a private, not so very good one at that. Annika specializes in the detection of complex relationships, to put it nicely. Ricky is a great salesman, who has two calendars – Work calendar and the calendar for women. An assignment Annika collides with the real estate agent Stand. The apartment does not display unnecessary procrastination: Annika just wants to have sex without feelings. Ricky, this is just fine. Relationship with works by mutual cooperation and assistance agreement – until it becomes famous for the sixth time. “There is hardly anything we love to look at, either.”