When a young man crashes the wrong wedding, the bride seizes the opportunity to make a run for it and together they attempt to evade her overbearing grandfather.
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When her estranged Aunt Jordyn shows up on their doorstep shortly after her mom’s funeral, Sophie suspects something is not right. As she uncovers Aunt Jordyn’s true intentions and mysterious past, Sophie discovers Aunt Jordyn isn’t who she says she is and quickly finds her life in danger.
A woman seeking a quiet life in post-World War II British Malaya finds love and a common interest in gardening with a mysterious Japanese man.
Infection takes place in a dark, isolated hospital, where one doctors mistake has led to dire consequences for a patient. In a hospital death is just a breath away.
George Wallace is a 1997 television film starring Gary Sinise as George Wallace, the former Governor of Alabama. It was directed by John Frankenheimer, who won an Emmy award for it; Sinise and Mare Winningham also won Emmies for their performances. The film was based on the 1996 biography Wallace : The Classic Portrait of Alabama Governor George Wallace by Marshall Frady, who also co-wrote the teleplay. Frankenheimer’s film was highly praised by critics: in addition to the Emmy awards, it received the Golden Globe for Best Miniseries/Motion Picture made for TV. Angelina Jolie also received a Golden Globe for her performance as Wallace’s second wife, Cornelia.
A mysterious visitor spends the night at an apartment belonging to a young engaged couple and their friend. Over the course of the night and the following day he sleeps with all three roommates and then disappears, leading to conversations about God, life and filmmaking.
Lovely Singh (Salman Khan) is the bodyguard of Sartaj Rana’s (Raj Babbar) daughter Divya Rana (Kareena Kapoor). He is very devoted to his duties but irritates her all the time by following her everywhere. Consequently, Divya and her friend (Hazel Keech) call Lovely and start a prank love affair. Lovely starts loving the mystery person but doesn’t realizes that it is Divya (who also falls in love with him) who was behind all of this. Sartaj Rana (Raj Babbar) suspects him and Divya to be in love and sends criminals to kill him in case his lover turns out to be Divya. Sensing this, Divya sends her friend to Lovely to tell him her true identity. In a twist, it is revealed that the friend is also in love with Lovely. She falsely accepts that she is her strange lover. They marry and have a child. She dies early and reveals to her son about her fraud and asks him to unite Lovely and Divya.
Marius and Ebba is a couple in their late 20’s who is in constant conflict even though they love each other deeply. Every New Years Eve they try to break up. A story about love and dysfunction told over the course of three years.
Romeo and Juliet has never been more provocative than in this contemporary all-boy staging. Writer/director Alan Brown transfers the setting from fair Verona to a high school military campus where a small group of boys from rival schools act out the tragedy in real life. This bold adaptation eschews convention and challenges common perceptions of masculinity, gay youth and the military. Anchored by solid performances, the film balances the tough dialogue, tender romance and unique setting with an erotic rhythm and a few surprising twists.
In a society grappling with its communist past and European present, both the cultural elite and disenfranchised young men see forces of darkness descending over Europe. And then there are those who benefit from the inevitable clashes and ensuing chaos, like disgraced law student Tomek (Maciej Musiałowski) who’s desperately trying to get the attention of childhood friend Gabi (Vanessa Alexander) and the respect of her progressive family. Taking a job at a high-profile but amoral PR company to impress Gabi, Tomek soon finds that he excels at the dirty political games that he is asked to orchestrate on social media. But there’s a human price to his meddling. As Tomek gets sucked in deeper, his humanity slowly drains away, and it becomes less clear what the end game is.