‘The Shadow of the Sun’ draws upon Derek Jarman’s interest with alchemical processes as a metaphor for reprocessing Super-8 film. Jarman once described film’s union of light and matter as “an alchemical conjunction” and experimented throughout his career with creating dream symbolism through the superimposition of image and action. Originally called English Apocalypse, the film’s final title is derived from a 17th Century alchemical text that used the phrase as a synonym for the philosopher’s stone – the highly sought substance that turns base metals into gold and silver. The film was intended as a step toward the idea of an ambient video, that like its musical counterpart, was designed to enhance an environment.
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Hazen Kaine, an American contract killer living in Sofia, Bulgaria, gets more than he bargains for when he enters into a contract with the mob. One last job before he gets out and starts a new life for himself. The targets: the three children of royal billionaire Andon Dupont. Seems simple enough, or so he thought. Hazen apprehends the children, and before he can blink an eye, a simple necklace worn by one of the children sends his life spiraling back to medieval times. Now completely out of his element, Hazen fights for his life as he tries to escape a medieval army and a fierce fire-breathing dragon.
Cecilia and her son embark on a journey. On the third day, she is found wandering alone, not remembering what happened during this time. She is desperately looking for her son and finds herself wrapped in a brutal hunt, carried out by a religious fanatic, whom she faces off against. To her, he’s a lunatic. To him, Cecilia is the enemy.
Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.
In Nightscape, an emotionally guarded drifter, Kat (Galesh), crosses paths with a phantom car responsible for a wave of supernatural violence. The drifter must learn to trust again if she is to end a lifetime of bad luck and help her new found companions survive the growing chaos and carnage.
Haley is a wealthy heiress known for her acts of kindness. Haley meets hopeless romantic Claud, and she keeps her wealthy family a secret. When Claud pitches an ad campaign to Haley’s mom and Haley’s secrets are revealed, things get…complicated.
A small suburban town receives a visit from a castaway unfinished science experiment named Edward.
Returning from a hunting trip in the forest, the Henderson family’s car hits an animal in the road. At first they fear it was a man, but when they examine the “body” they find it’s a “bigfoot”. They think it’s dead so they decide to take it home (there could be some money in this). As you guessed, it isn’t dead. Far from being the ferocious monster they fear “Harry” to be, he’s a friendly giant.
Paris 2020. While superheroes have assimilated into the Parisian society, they discover a new drug that gives themselves personal superpowers to mere mortals. Lieutenants Moreau and Schaltzmann are investigating the case with the support of two ex-superheroes, Monte Carlo and Callista. They’ll do whatever it takes to dismantle the traffic. But Moreau’s past resurfaces, and the investigation becomes more complicated.
