As the Kalahari Desert faces a worsening dry season, prides, packs and herds of all kinds must rely on the power of family to survive.

It’s 2017 in Bisbee, Arizona, an old copper-mining town just miles from the Mexican border. The town’s close-knit community prepares to commemorate the 100th anniversary of Bisbee’s darkest hour: the infamous Bisbee Deportation of 1917, during which 1,200 striking miners were violently taken from their homes, banished to the middle of the desert, and left to die. Townspeople confront this violent, misunderstood past by staging dramatic recreations of the escalating strike. These dramatized scenes are based on subjective versions of the story and “directed,” in a sense, by residents with conflicting views of the event. Deeply personal segments torn from family history build toward a massive restaging of the deportation itself on the exact day of its 100th anniversary.

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This feature-length RealD™ 3D experience was filmed with revolutionary aerial devices and techniques to fly right alongside birds. This breathtaking journey will take viewers across the world’s most iconic landscapes to the heart of the greatest animal spectacles on Earth: snow geese dash through Monument Valley and New York City, vultures ascend miles above the earth then dive down to huge wildebeest herds below, scarlet macaws race at breakneck speed through the rainforest. Using unique, state-of-the-art 3D cameras in barely accessible and highly dangerous places, the audience has never before been so close to the drama and beauty of nature until now.

A look at the history of the American comedy publication and production company, National Lampoon, from its beginning in the 1970s to 2010, featuring rare and never before seen footage, this is the mind boggling story of The National Lampoon from its subversive and electrifying beginnings, to rebirth as an unlikely Hollywood heavyweight, and beyond. A humour empire like no other, the impact of the magazines irreverent, often shocking, sensibility was nothing short of seismic: this is an institution whose (drunk stoned brilliant) alumni left their fingerprints all over popular culture. Both insanely great and breathtakingly innovative, The National Lampoon created the foundation of modern comic sensibility by setting the bar in comedy impossibly high.

Interviews with the detectives involved in investigating the global star, Michael Jackson’s, death. They reveal fascinating insights into the events surrounding the day he died.

As tuition spirals upward and student debt passes a trillion dollars, students and parents ask, “Is college worth it?” From the halls of Harvard to public and private colleges in financial crisis to education startups in Silicon Valley, an urgent portrait emerges of a great American institution at the breaking point.

A filmmaker sets out to discover the life of Joyce Vincent, who died in her bedsit in North London in 2003. Her body wasn’t discovered for three years, and newspaper reports offered few details of her life – not even a photograph.

An unflinching look at how women are treated in the USA today examining issues such as workplace harassment, domestic violence, rape and sexual assault. It shows how discriminatory attitudes still prevail and influence society and argues for the need to improv laws that claim to protect women

In his first New York City-set documentary in nearly a decade, filmmaker and provocateur Abel Ferrara uses the experience of one longtime cinema owner to chart the vast changes to the city’s theatrical landscape.

An exposé on how the government has allow U.S. corporations to avoid paying taxes and the growing wave of discontent that it has fostered.

Alex Gibney explores the phenomenon of Stuxnet, a self-replicating computer virus discovered in 2010 by international IT experts. Evidently commissioned by the US and Israeli governments, this malware was designed to specifically sabotage Iran’s nuclear programme. However, the complex computer worm ended up not only infecting its intended target but also spreading uncontrollably.