Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation’s abandoned towns and cities, and it’s up to Mister, a death dealing, rogue vampire hunter, to get Martin safely north to Canada, the continent’s New Eden.
You May Also Like
A Christian mother feels that she has her life all figured out and decides to bring her Alzheimer’s inflicted father into her house. But while she tries helping her father, her family begins falling apart as she looks for any signs of help.
Joong-ho is a dirty detective turned pimp in financial trouble as several of his girls have recently disappeared without clearing their debts. While trying to track them down, he finds a clue that the vanished girls were all called up by a same client whom one of his girls is meeting with right now.
A growth hormone experiment gets out of hand, when the the resulting giant man-eating rats escape, reaking havoc on the unsuspecting campus. Much blood-letting follows.
When Angela (Sarah Smyth) refuses to leave her planned-parenthood clinic after it is shut down by the state, a family of fanatical evangelists vow to make her pay.
Col. Vincent Kane is a military psychiatrist who takes charge of an army mental hospital situated in a secluded castle. Among Kane’s many eccentric patients is Capt. Billy Cutshaw, a troubled astronaut in the midst of an existential crisis. Although Kane’s own grasp on sanity is questionable, he manages to engage Cutshaw in a series of thoughtful conversations about science and faith that deeply affect the lives of both men.
Bill Pope is a CIA agent on a mission in London tracking down a shadowy hacker nicknamed “The Dutchman.” When he gets mysteriously ambushed and killed, an experimental procedure is used to transfer his memories into dangerous ex-convict Jericho Stewart. When he wakes up with the CIA agent’s memories, his mission is to find The Dutchman and eliminate him before the hacker launches ICBM’s and starts World War III. But complications soon arise and the mission turns personal.
Adam Goldberg delivers “an uproarious study in transatlantic culture panic” as Jack, an anxious, hypochondriac-prone New Yorker vacationing throughout Europe with his breezy, free-spirited Parisian girlfriend, Marion. But when they make a two-day stop in Marion’s hometown, the couple’s romantic trip takes a turn as Jack is exposed to Marion’s sexually perverse and emotionally unstable family.
It’s summer. One endless, sexy party under the open sky. Tina and her friends are living the dream of a whole generation of decadent Berlin-party-kids. But after one excessive night she’s haunted by a mysterious ugly creature in nightmares she has. The only person she talks about her fears to is her psychologist. His advice is to confront her fears and to reach out to the creature. At first Tina refuses but after she hears about her parents’ plans to put her in a mental hospital she starts talking to the creature. She slowly realizes that the creature is an incarnation of her fears and that it has the same feelings she does. Afraid of being called a freak she starts hiding the creature in her room. After a while she even gets close to it. It’s almost like a relationship with a wild stray animal. For the first time in her life, it almost seems as if Tina has the courage to be herself. But then her parents and her friends see the creature…
When the search engine he designs answers “yes” to the question “is the government of the United States evil?”, a brilliant computer programmer is arrested and held in isolation. Desperate, but keenly aware of the answer’s potential effect on the public, the programmer strikes a deal with his interrogators, agreeing to re-design the software in exchange for his freedom. As they search to understand why the program answered an ethical question and try to find a way to change its response, the faith and patience of both the programmer and his captors are put to the test. Suspenseful and darkly comic, S.E.R.P. is a film about coercion, innovation, and whether it is possible to do something good in the service of something evil.
