A young boy named Tommy sees his father murdered by his grandfather in a brutal satanic ritual on Halloween night. Years later, as Tommy’s grandfather attempts to initiate him into the cult, a mysterious killer begins preying on the people closest to Tommy.
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A small town is being terrorized by a killer Bigfoot. One that is blood thirsty, vicious and kills without warning and without discrimination. A scientist by the name of Sarah Evans (Leilani Sarelle) shows up to help the town’s sheriff (Reb Brown) and his deputy girlfriend Roberta (Sherrie Rose) hunt this thing down and put an end to the killings. At the same time, Hunter Crawford (David Campbell) is a thug-like character who along with his two henchmen, is hunting the creature himself, for his own personal gain and he does not care who he has to go through to accomplish his goal.
Dana, daughter of the only survivor of a massacre in 1993, is going on a weekend trip with her friends. After their car breaks down in the very same town where her mother once fought the Driller Killer, Dana and her friends must come face-to-face with the man who has haunted her mother’s life for the past 30 years.
A documentary consisting of a series of travelogue vignettes providing glimpses into cultural practices throughout the world intended to shock or surprise, including an insect banquet and a memorable look at a practicing South Pacific cargo cult.
A young coed (Nan Barlow) uses her winter vacation to research a paper on witchcraft in New England. Her professor recommends that she spend her time in a small village called Whitewood. He originally cam from that village so he also recommends she stay at the “Raven’s Inn,” run by a Mrs. Newlis. She gets to the village and notices some weird happenings, but things begin to happen in earnest when she finds herself “marked” for sacrifice by the undead coven of witches. It seems that the innkeeper is actually the undead spirit of Elizabeth Selwyn, and the “guests” at the inn are the other witches who have come to celebrate the sacrifice on Candalmas Eve. As one of them said when Nan walked away, “HE will be PLEASED.”
With nowhere else to hide, a group of mercenaries and their prisoners take cover inside a long abandoned Bulldog tank. But, while they try to keep the forces outside at bay, the real enemy is already among them, locked inside the ‘Belly of the Bulldog’. After collaborating closely with Ben Wheatley on FREE FIRE, HIGH-RISE, A FIELD IN ENGLAND and KILL LIST, director Nick Gillespie makes his feature debut.
Vena Norris and her parents get jobs at Mr. Malatesta’s carnival running a midway games booth. But they are really part of the traveling show circuit under incredibly false pretenses. Vena’s brother disappeared one night while visiting the evil attraction, and his kinfolk are convinced they can discover what happened to him by scamming teenagers out of their allowances. What they do learn is pretty strange indeed.
On St. Blevins Day (the most debauched of regional holidays), four boys looking to lose their virginity, a girl haunted by a dark secret, a lonely teenager, and an escaped mental patient all meet at a party in the woods. They were looking for fun but what they found… was TERROR!
Lydia, haunted by her sister’s death, becomes paranoid that she is not alone when she comes home to find her front door unlocked. Masterfully paced and packed with exceptionally wound scares.
The Night is a psychological thriller that follows an Iranian couple, Babak and Neda, and their one-year-old daughter, Shabnam. Returning home from a friend’s gathering, Babak drives drunkenly, too stubborn to let Neda drive with a suspended license. When Babak’s driving threatens the safety of the family, Neda insists they stay the night at a hotel. Once they check-in, Babak and Neda find themselves imprisoned, forced to face the secrets they’ve kept from each other. And though the clock moves forward, “the night” never ends.
‘Ashes’ is a psychological horror film about a godless, drug-addicted male, who reluctantly receives ashes during Ash Wednesday to please his family, and is sent into a downward spiral of hallucinatory religious-themed body horror.
A ferocious, prehistoric Megalodon has returned to the surface, terrorizing a group of oil rig workers and members of a local fishing village.
