The New Wave of French horror cinema has arrived and at its vanguard is 14 year-old director Nathan Ambrosioni. Meredith Langston always longed to have children. She finally makes this happen when she adopts two young adolescent girls. However, her now idyllic world sours rapidly and dream veers to nightmare when she quickly finds that she is unable to cope with their increasingly strange behaviour. Desperate, she seeks the help of two journalists working for a local TV programme ‘SOS Adoption’. Unfortunately it is all for nothing, especially when the reporters discover that there is another presence in the house.

Abandoned by her mother when she was a child, Shell has stayed to take care of her dying father but now feels trapped within the beautiful but desolate landscape that surrounds her. With only her routine of running the decaying petrol station, taking care of her father, and spending afternoons in her bedroom with a local mechanic, life is passing Shell by with every passing truck that rattles her walls. One day a salesman stops to re-fuel and offers Shell a taste of the outside world that takes her closer than ever to the edge of the road and her desire to escape.

Two women escaping a catastrophe look for salvation in sound and nature.

Sport and politics most definitely do mix in this gripping look back at a brutal and turbulent time for New Zealand rugby, told from the point of view of the players themselves including David Kirk and Buck Shelford.

Based on the true story of Raymond Fernandez and Martha Beck, who met through a lonely-hearts correspondence club, Ray is weedy, feral, and untrustworthy; Martha is enormous, compulsive, and needy. Together, they play out a horrifying scheme in which he lures lonely women out on dates and proposes marriage to them, with she pretending to be his sister. They take the women’s savings and then murder them remorselessly. Dank, claustrophobic, and weirdly engrossing, this movie never quite gives in to the comforts of conventional narrative. Francois Truffaut named it as his favorite American film.

When Chelsea Simms, the good-hearted brand strategist for the popular dating app The Nice List, discovers the app has granted her magical powers, she uses her newfound ability to make all of the naughty people in her life learn how to be good again.

A female student falls for a senior, but the senior not really for her. He is willing to go to bed with her, but doesn’t feel love. The couple embark on a painful yet passionate experiment. A 1970s story in 1970s images, based on the legendary book by the then very young writer Kei Nakazawa.

In the school-set re-working of Cyrano, an awkward but imaginative pupil helps the handsome but spectacularly dim school-hero pursue the fiery daughter of a visiting French teacher.

Max (David Schwimmer), an alpha-male commitment-phobic sports broadcaster, and Jay (Jason Lee), a neurotic novelist, have been best friends since childhood. Jay sets Max up with his editor Samantha (Mili Avital). Although they share few interests, they are engaged within two weeks. Still, when Max is confronted with the fact that Sam will be the last woman he will sleep with, he proposes a test. Jay will hit on Sam. If she shows no interest, then Max will be confident enough in her loyalty to go ahead with the marriage. Though when Jay hits on Sam, they end up falling in love with each other.

A young Englishman plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.

Jeff, a young delinquent, is enrolled by his father in a kenpo school, in the hopes of teaching the boy some self-discipline. Years later, Jeff’s mentor, Kim, is being threatened by one of the Korean mafia families. Jeff tries to help his old friend, but is too late to prevent Kim’s death at the hands of an unknown hitman. Vowing revenge, Jeff takes on all of the families, using his martial arts skills to find the man who killed his friend.

Penelope Keeling, a sixty-four-year-old daughter of a famous artist, reflects on her life, and the fate and choices that defined it, when she arrives in the Mediterranean to stay with her headstrong daughter. Shifting through time, and falling into place like the pieces of a jigsaw, the truth of Penelope’s rich, heartbreaking and surprising life unfolds.