Trevor Noah is back, rubbing our noses in the many faces of racism in his new one-man show, recorded live at the Lyric Theatre. This record-breaking show boasts 80 sold-out performances and promises to be his best performance yet.
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Emily Walters is an American widow living a peaceful, uneventful existence in the idyllic Hampstead Village of London, when she meets a local recluse, Donald Horner. For 17 years, Donald has lived—wildly yet peacefully—in a ramshackle hut near the edge of the forest. When Emily learns his home is the target of developers who will stop at nothing to remove him, saving Donald and his property becomes her personal mission. Despite his gruff exterior and polite refusals for help, Emily is drawn to him—as he is to her—and what begins as a charitable cause evolves into a relationship that will grow even as the bulldozers close in.
A coming of age story of a boy and girl growing up in London in the Naughties dealing with the everyday insecurities that make your world implode at sixteen.
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An aimless ne’er-do-well becomes a tour guide in a historic estate and winds up befriending the manor’s resident ghost.
Two straight men mistakenly end up on a “gays only” cruise.
Everyone abuses and humiliates a downtrodden orphan (Chan) until he befriends an old man, who turns out to be the last master of the “snake fist” fighting style. Jackie becomes the old man’s student and finds himself in battle with the master of the “eagle’s claw” style, who has vowed to destroy the snake fist clan.
The Angels are charged with finding a pair of missing rings that are encoded with the personal information of members of the Witness Protection Program. As informants are killed, the ladies target a rogue agent who might be responsible.
