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A larger-than-life working-class sitcom that follows the trials and tribulations of ‘geezer diva’ Gary King and his childhood sweetheart Terri as they aspire to achieve moderate material success in competitive suburbia.

Genre-bending comedy featuring Aunt Bernie, a meek, working-class woman who dies tragically in a home invasion. Compelled by sheer force of dissatisfaction, she comes back from the dead full of rage, determined to get the life she never had. She proceeds to inflict a range of demands on her immediate family who live in a low-end subsidized hellhole of a housing complex called Sea Oak.

Film star Vince Chase navigates the vapid terrain of Los Angeles with a close circle of friends and his trusty agent.

Once again Dave will be bringing his trusty screen along but now, in each episode, he will also be joined by three comedy guests as they cast their eye over his latest modern world discoveries, compete in mischievous games and generally try to unscramble the baffling morass of non-stop information that surrounds us in the internet age.

Whether it’s due to a lack of style, the wrong job, or even just a bad haircut, everyone goes through a time in their lives when they’re undateable. Most of us eventually grow out of it, but some people need a little more help than others. Enter Danny Burton. Confident, attractive and impervious to outside opinions, 29-year-old Danny – who may be in a state of arrested development himself – decides to help out his new roommate, Justin Kearney, the owner of an unsuccessful bar and a chronic overthinker, and Justin’s group of oddball friends – Shelly, Burski and Brett. Danny introduces the gang to his recently divorced older sister, Leslie, who immediately bonds with this group of guys, as she feels a little stuck in her own life as well. The gang spends most of their time at Justin’s bar, helping solve each other’s respective problems over beers, and while they love to give each other a hard time, they always have each other’s back.

An epic dark comedy focusing on a geopolitical crisis and its effect on three disparate and desperate men: U.S. Secretary of State Walter Hollander; Alex Coppins, a lowly Foreign Service officer; and Zeke Callahan, an ace Navy fighter pilot. These three compromised souls must pull through the chaos around them to save the planet from World War III.

The fish-out-of-water story of New York accountant Bruce, who falls in love with a Swedish girl named Emma and follows her to Sweden.

Lucy is a 17-year-old girl, who wants to be a full-fledged mage. One day when visiting Harujion Town, she meets Natsu, a young man who gets sick easily by any type of transportation. But Natsu isn’t just any ordinary kid, he’s a member of one of the world’s most infamous mage guilds: Fairy Tail.

A struggling hip-hop artist runs for mayor to promote his mix-tape and wins.

Drop the Dead Donkey is a situation comedy that first aired on Channel 4 in the United Kingdom between 1990 and 1998. It is set in the offices of “GlobeLink News”, a fictional TV news company. Recorded close to transmission, it made use of contemporary news events to give the programme a greater sense of realism. It was created by Andy Hamilton and Guy Jenkin. The series had an ensemble cast, making stars of Haydn Gwynne, Stephen Tompkinson and Neil Pearson.

The series began with the acquisition of GlobeLink by media mogul Sir Roysten Merchant, an allusion to either Robert Maxwell or Rupert Murdoch. Indeed, Andy Hamilton and Guy Jenkin note on their DVDs that it was fortunate for their libel lawyers that the two men shared the same initials. The series is mostly based on the on-going battle between the staff of GlobeLink, led by editor George Dent, as they try to maintain the company as a serious news organisation, and Sir Roysten’s right-hand man Gus Hedges, trying to make the show more sensationalist and suppress stories that might harm Sir Roysten’s business empire.

The show was awarded the Best Comedy Award at the 1994 BAFTA Awards. At the British Comedy Awards the show won Best New TV Comedy in 1990, Best Channel 4 Comedy in 1991, and Best Channel 4 Sitcom in 1994.

A dad finds out that parenting is harder than he thought after his wife goes back to work and he’s left at home to take care of the kids.