7 girls and 1 fab gay guy plan a getaway to a remote ranch for a week of gossip and grub. They start off where they always do, old rivalries in place, extreme vanity covering great insecurities, but with a true love for each other underneath the bickering, sniping and sassing. A number of drinks into night one and a dark secret is revealed. The house they rented is the site of a mass murder of teenage girls 15 years earlier. Blood still stains the floors under replacement carpets. The killer still runs free. The girls take it for what it seems – a fun story for a rainy night by a roaring fire. But after one of them disappears and is discovered dead, the story doesn’t seem so fun anymore. 1 by 1, they die, killed by their own vanity. The fun-filled week turns into a race against death. Who will make it out alive?
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A career driven professional from Manhattan is wooed by a young painter, who also happens to be the son of her psychoanalyst.
College student Tracy (Laura Lee Black) has just received an assignment to write a report on her favorite film genre. In her research she discovers a book, now Tracy is taken into three interlocking tales of the unexpected. First in THE VAT, two women (Jenny Coulter / Rodney Horn) are harassed by a religious fanatic (Angie Keeling) about their worldly ways. When the bible thumping hypocrite threatens violence, chaos takes it’s toll. Next in BIG DEBBIE, a robust woman (Rodney Horn) is abandoned at the altar, she runs into two guys that use her to fulfill their odd sexual fetish. When one accidentally dies, they’re forced to get rid of the body… the only problem: a woman on the edge (Rachel Stout) witnesses the ditching and blackmails them into killing her cheating girlfriend (Kelli Ellis). Finally in INGLOURIOUS BITCHES, a quirky pair of female vigilantes (Douglas Conner / Brian Dorton) use an app on a cellphone to track down and murder sex offenders.
A private investigator must unravel the murder of her uncle while keeping the secret that she is a descendant from a line of werewolves.
The story of best friends Barb and Star, who leave their small midwestern town for the first time to go on vacation in Vista Del Mar, Florida, where they soon find themselves tangled up in adventure, love, and a villain’s evil plot to kill everyone in town.
The film contains five stories set on desolate stretches of a desert highway. Two men on the run from their past, a band on its way to a gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation are forced to confront their worst fears and darkest secrets in these interwoven tales.
After leaving her daughter Jessica in a small town in Pernambuco to be raised by relatives, Val spends the next 13 years working as a nanny to Fabinho in São Paulo. She has financial stability but has to live with the guilt of having not raised Jessica herself. As Fabinho’s university entrance exams approach, Jessica reappears in her life and seems to want to give her mother a second chance. However Jessica has not been raised to be a servant and her very existence will turn Val’s routine on its head. With precision and humour, Anna Muylaert turns her eye on the subtle and powerful forces that keep rigid class structures in place and how the youth may just be the ones to shake it all up.
A black comedy based on the true story of Alfred Benning’s outlandish attempts to murder his overbearing wife in 1977.
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