Tech tycoon, Clay Amani, retreats to an off the grid location in search of meaning and peace, with disconnected siblings and their offspring, only to be caught in a bone-chilling killing spree within his new estate.

While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.

An alien is on the run in America. To get his kicks, it kills anything that gets in its way, and uses the body as a new hiding place. This alien has a goal in life; power. Hotly pursued by another alien (who’s borrowed the body of a dead FBI agent), lots of innocent people die in the chase.

Director: Tim Connery After receiving his future obituary via a cryptic Internet file, Easton Denning is forced to confront his troubled past in order to prevent his predicted demise.

Star Wreck: In the Pirkinning begins with Captain James B. Pirk of the starship Kickstart shipwrecked on the 21st century Earth with his crew. Originally from the distant future, Pirk and his crew traveled back in time to save the Earth from hostile aliens, but lost their ship and became stranded. Pirk’s daily routine consists mainly of stuffing his face at the local fast food restaurant, and he is finding it difficult to convince the ladies he is, in fact, an intergalactic space hero from the future. As the prospects for humanity’s conquest of space look increasingly bleaker, Pirk comes up with a questionable plan to save mankind’s future…

As Alyssa and Karla try to escape from the church home that holds them captive, Karla is slaughtered by a vicious, semi-human creature. After Detective Kimball tracks down Alyssa at a rowdy biker bar, she tells Kimball that women inmates disappear every full moon, and shows him the silver bullets in her gun. Now the two must return to the halfway house to confront the priest and nuns—and the snarling, savage evil—that dwell within.

Donnie Mann, his father and uncle embark on a weekend hunting trip in West Texas, where they find a mysterious man shot in the stomach and clutching a backpack full of money.

Frederick Fitzell is living his best life—until he starts having horrific visions of Cindy, a girl who vanished in high school. After reaching out to old friends with whom he used to take a mystery drug called Mercury, Fredrick realizes the only way to stop the visions lies deep within his own memories, so he embarks on a terrifying mental odyssey to learn the truth.

It’s been a year since the Dogman terrorized this Midwestern community and nearly killed Hank Purvis. But now, things seem to have settled down. Everyone has gotten back to their routine. Hank still enjoys the outdoors and loves to hunt. He and his wife, Dorothy, continue to live on their family farm in the rural Midwest. The picturesque autumn woodlands are a wonderful place to be. But things are not well. Unseen in the nearby forest, are a litter of grown Dogman pups, embarking on their terrifying destiny, and standing over seven feet tall. They are a bad batch. They have to be stopped.

After a night of carousing, the amateur photo model Zina heads for a fashion shoot in the nature, accompanied by the ambitious Mia, apathetic Dragica and snobby photographer Blitcz. On the idyllic location, a supposedly ordinary fashion shoot soon turns into a fierce fight for survival.

An incredibly gifted pianist makes a Faustian bargain to overtake her older sister at a prestigious institution for classical musicians.

48 hours in the life of a burnt-out paramedic. Once called Father Frank for his efforts to rescue lives, Frank sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn’t help, yet cannot quit the job on his own.