THE FALLEN is a three-sided story about German, Italian, and American soldiers, set in Northern Italy during the final weeks of the World War II. On the one side, a group of American supply soldiers delivers ammunition to the front line, a journey that becomes a descent into hell, the success of the mission becomes less likely with every setback. On the other, a doomed German unit and their ragtag Italian partners struggle to maintain morale and discipline amongst their beleaguered troops in the face of certain defeat. Torn between these are the divided loyalties of the Italians, both fascist soldiers and communist partisans, who have turned brother against brother in a bloody civil war. The film looks at the everyday life of the soldiers, their encounters on the road, their hopes and dreams, and the differences in values, morals, and patriotism between the cultures at the end of that era.
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Sarah returns with her father and uncle to fix up the family’s longtime summerhouse after it was violated by squatters in the off-season. As they work in the dark, Sarah begins to hear sounds from within the walls of the boarded-up building. Although she barely remembers the place, Sarah senses the past may still haunt the home.
Two teenagers build time machines to save one’s brother from being killed by the police.
During the first half of the 19th century, in a vast and desolated land fallen into anarchy, several armed groups drift along the infinite Pampas demanding support and food from the peasants. Even if they are bitter rivals, they all claim to pledge allegiance to the “movimiento”. Among these gangs is one led by Señor, an educated man who, with two of his followers, intends to found a peaceful new order. But while his enchanting words and manners seem appealing, his methods reveal an unstoppable thirst for power.
Strange rumors start to spread at the catholic girls’ high school after Unjoo committed suicide one night. Unjoo’s younger sister Jung-un who attends the same school gets suspicious about Unjoo’s death. After persistent investigation, Jung-un finds out that on the night of the incident, Soy, Eugene, Eun-young, Unjoo, the four of them had tried to commit a joint suicide after making a vow on blood. But the three are still alive, and only Unjoo had died. the desire, jealousy, and lies behind the pledge of death between the four girls are revealed, along with the hidden truth behind Unjoo’s suicide.
Emilka meets the slightly-older Maciek out at a club one night. He shows Emilka—who was brought up by a single mom—a whole new world filled with desire, passion, restlessness and rebellion. The girl moves in with him and at first everything seems just perfect, but gradually Emilka discovers her separate identity, and starts to grow apart from him. When her dream of becoming a singer comes true, Maciek feels threatened. A toxic love game begins, full of lust and jealousy.
Will Bastion returns home from the army after an absence of 20 years to bury his father, the former chief of thee Maori tribe, Ngati Kaipuku. The eldest son, he is reluctant to inherit his fathers role, so it is taken more willingly by his younger brother, Kahu. Kahu is the leader of a band of drug dealers and trouble-makers who ride horses through the middle of town, wrecking peoples gardens. Under the guise of refusal of a land settlement, Kahu makes a large marijuana deal with some murdering city folk. Will must choose between loyalty for his brother and his father, Maori tradition, and contemporary financial issues.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
The story is set in 1963 in Yokohama. Kokuriko Manor sits on a hill overlooking the harbour. A 16 year-old girl, Umi, lives in that house. Every morning she raises a signal flag facing the sea. The flag means “I pray for safe voyages”. A 17 year-old boy, Shun, always sees this flag from the sea as he rides a tugboat to school. Gradually the pair are drawn to each other but they are faced with a sudden trial. Even so, they keep going without running from facing the hardships of reality.
Natha a poor farmer from Peepli village in the heart of rural India is about to lose his plot of land due to an unpaid bank loan. A quick fix to the problem is the a government program that aids the families of indebted farmers who have committed suicide. As a means of survival Farmer Natha can choose to die. His brother is happy to push him towards this unique ‘honour’ but Natha is reluctant. Local elections are around the corner and what might have been another unnoticed event turns into a ’cause celebre’ with everyone wanting a piece of the action. Political bigwigs, high-ranking bureaucrats, local henchmen and the ever-zealous media descend upon sleepy Peepli to stake their claim. The question on everyone’s lips – “Will he or Won’t he?” As the mania escalates, nobody seems to care how Natha really feels.
