Under the direction of founder and world-renowned DJ Peanut Butter Wolf, Stones Throw Records has consistently released critically acclaimed, left-of-center albums since its founding in 1996. Drawing on live concert footage, never-before-seen archival material, inner-circle home video and photographs and in-depth interviews with the folks who put Stones Throw on the map, this documentary will delve deeper into the label’s enigmatic artists, history, culture and global following.
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Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys’ club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.
Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.
The ancient Chinese game of Go has long been considered a grand challenge for artificial intelligence. Yet in 2016, Google’s DeepMind team announced that they would be taking on Lee Sedol, the world’s most elite Go champion. AlphaGo chronicles the team as it prepares to test the limits of its rapidly-evolving AI technology. The film pits man against machine, and reveals as much about the workings of the human mind as it does the future of AI.
A feature length documentary about the all-women team at the helm of Pixar’s original feature, Turning Red. With unprecedented behind-the-scenes access to Director Domee Shi and her core leadership crew, this story shines a light on the powerful professional and personal journeys that brought this incredibly comical, utterly relatable, and deeply heartfelt story to the screen.
It’s a great pop music myth that in Liverpool everything began and ended with the Beatles. It didn’t. Get Back documents the real story of the city’s music outpourings, from post war years to present day. It’s a story of a city where literally thousands of bands and artists, hundreds of clubs, promoters and managers put on the biggest, loudest and longest party in history. The golden era of The Cavern and Merseybeat generated a massive tectonic shift in popular culture and in the 1970s it started again with a new scene and yet another cellar club at its heart – Eric’s. Bands such as Deaf School, Echo and the Bunnymen and OMD led the way. Then Frankie Goes to Hollywood, the Farm, the La’s, the Christians. And more recently it continued, the city’s bands always inventive and always re-inventing, with the Zutons, Coral, Wombats and more. The story is unending but Get Back offers music fans a chance to enjoy the narrative and the sounds created so far in the city that rocked the world…
Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late ’60s British society. Constructed as a montage of various disconnected political acts (in line with Godard’s then appropriation of Soviet director Dziga Vertov’s agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.
Emmy-winning Israeli filmmaker Maya Zinshtein (Forever Pure) returns to the Festival with this riveting exposé that investigates the unlikely connection between Jews and evangelical Christians in the U.S. and Israel, and the startling hypocrisy at its core. From conversations with a devout pastor and his congregation in rural Kentucky to meetings with religious leaders in Washington D.C. and Israel, Zinshtein closely follows Chicago native Yael Eckstein, President and CEO of the influential advocacy group the International Fellowship of Christians and Jews, in her fundraising and coalition-building efforts. What she uncovers is a shocking alliance rooted in apocalyptic prophecy and driven in unprecedented ways by Donald Trump’s White House.
A chronicle of the lives of several teenagers who attend a New York high school for students gifted in the performing arts
Nearly 20 years after his death and in the run-up to his centenary, Toshiro Mifune remains a true giant of Japanese cinema.
In 1976, Karen and Barry Mason had fallen on hard times and were looking for a way to support their young family when they answered an ad in the Los Angeles Times. Larry Flynt was seeking distributors for Hustler Magazine. What was expected to be a brief sideline led to their becoming fully immersed in the LGBT community as they took over a local store, Circus of Books. A decade later, they had become the biggest distributors of gay porn in the US. The film focuses on the double life they led, trying to maintain the balance of being parents at a time when LGBT culture was not yet accepted. Their many challenges included facing jail time for a federal obscenity prosecution and enabling their store to be a place of refuge at the height of the AIDS crisis. Circus of Books offers a rare glimpse into an untold chapter of queer history, and it is told through the lense of the owners’ own daughter, Rachel Mason, an artist, filmmaker and musician.
The film follows Director/Actor Blake Freeman, who takes a morally and financially bankrupt 69 year old man named Leroy, on a Journey in search of the truth. Leroy’s spent his life savings on trying to protect himself from aliens and paranormal ghost, by entrusting the help of psychics. Upon the discovery of Leroy’s plight, Blake decides he must take Leroy on a hilarious journey across the country to “uncover the truth” of of all things paranormal. From Aliens to Voodoo curses, Blake takes on them all, by pulling pranks on the “so called” experts with hopes to ultimately prove to Leroy, he has been taken advantage of.
