A routine trick propels a tall, dark, cynical hustler into a series of life-changing encounters in this drama. But this amicable and sexually efficient rent boy begins to look at himself differently when he finds himself lost in a maze-like apartment building. As he wanders through the building, he tricks with a variety of johns; sex is the commonality, but out of that commodity comes raw, unguarded emotions for all.
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Allan (Hugh Grant) is an engineer working in 1930s Calcutta. He is invited to stay with the family of his boss, Narendra Sen (Soumitra Chatterjee) which includes his wife, Indira (Shabana Azmi) and daughter Gayatri (Supriya Pathak). Gayatri and Allan become romantically involved leading to tragedy.
A council case worker looks for the relatives of those found dead and alone.
Gib, a beer-guzzling slob, and Alison, an uptight Ivy-Leaguer, are an unlikely duo stuck together on a cross-country trip during Christmas break. At first they get on each other’s nerves but, as time passes, they find their divergent natures complement each other. Now they need to realize what they’ve already found before it’s too late.
David Tennant stars in a film of the Royal Shakespeare Company’s award-winning production of Shakespeare’s great play. Director Gregory Doran’s modern-dress production was hailed by the critics as thrilling, fast-moving and, in parts, very funny.
Twenty-two years ago four friends went to the quarry on the edge of town with a case of beer and a loaded handgun. At the end of the day the beer was gone, the gun was empty and a stranger lay dead at the bottom of the quarry. Now, the four are together again, trying to deal with their actions in the face of guilt and a new police investigation.
Assigned to accompany two priests on a mission to convert the court of Kublai Khan to Christianity, Marco Polo is abandoned in the mountains when the priests, doubting the very existence of China, turn back. Polo eventually pushes bravely forth alone toward the fabled country where he is accepted as an envoy into Khan’s court. Marooned on the far side of the world, Polo, accompanied by his servant, Pedro, advances as a Mongol grandee for twenty extraordinary years. What he eventually brings back with him to the West is a chronicle that changed history forever.
In a futuristic city sharply divided between the working class and the city planners, the son of the city’s mastermind falls in love with a working class prophet who predicts the coming of a savior to mediate their differences.
Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?
Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swafford and his unit are sent to the Persian Gulf where they are earger to fight but are forced to stay back from the action. Meanwhile Swofford gets news of his girlfriend is cheating on him. Desperately he wants to kill someone and finally put his training to use.
