Guillermo (Raúl Mérida) is a passionate young college surf casually discovering an old photographic film. In the photographs are enigmatic images and a familiar face, leading Guillermo to embark on a perilous investigation with the help of Daniela, a student from Fine Arts, and his brother, a computer expert. None of them is aware that such research can change their lives forever.
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Alien pods come to Earth and, naturally, start taking over Human Hosts. One such pod only manages to take over one human’s, Shin Izumi, right arm. Together they grow and co-exist, all the while the other aliens are making meals of other humans; Shin feels he must put a stop to it all, but his alien, Migi, doesn’t see why.
Mild-mannered Clark Kent works as a reporter at the Daily Planet alongside his crush, Lois Lane − who’s in love with Superman. Clark must summon his superhero alter ego when the nefarious Lex Luthor launches a plan to take over the world.
Major crimes unit detective Seong-jin arrests Tae-sung for petty crimes, but shocked to find out that he is the notorious serial killer. However, Seong-jin becomes doubtful of his identity as the serial murder case is investigated.
Legendary filmmaker Werner Herzog returns with INTO THE ABYSS: A TALE OF DEATH, A TALE OF LIFE, a riveting examination of a horrible crime which probes the human psyche to explore why people kill–and why the state kills. In intimate conversations with those involved, including 28-year-old death row inmate Michael Perry (who was scheduled to die eight days after his interview with Herzog), the filmmaker achieves what he describes as “a gaze into the abyss of the human soul.” As he’s so often done before, Herzog’s investigation unveils layers of humanity, making an enlightening trip out of ominous territory.
The harrowing true story of the crew of the USS Indianapolis, who were stranded in the Philippine Sea for five days after delivering the atomic weapons that would eventually end WWII. As they awaited rescue, they endured extreme thirst, hunger, and relentless shark attacks.
Captain William Stanaforth is on a one-way solo mission to take the first steps in colonising Mars. Like all pioneers throughout history, Stanaforth will face insurmountable odds and life and death decisions as he rockets bravely through space.
Marco Valois wants to direct a serious movie inspired by the life of a soldier living with post-traumatic stress disorder. He soon realizes that the young soldier home from Afghanistan won’t open up that easily. Marco, willing to do just about anything to get his story, follows Éric Lebel to his hometown.
Love Actually… Sucks! was inspired by real-life events, and opens with a dramatic wedding feast. It tells a variety of stories about love that has gone wrong: a brother and sister in an illicit relationship, a married painter who falls in love with his young male life model, a dance school teacher who is besotted with his senior student, and a lesbian couple, one of whom has role-play paranoia, and is caught in a complex love triangle. The film celebrates the belief that life is love.
College student Mutou Ookawa catches a glimpse of Ametani Yuiko, his co-worker from a former part-time job and falls immediately in love. Summoning up his courage, he eventually confesses his feelings to her and she responds “…but I’m a fujoshi.” Mutou not having the slight clue what “fujoshi” means, immediately responds “That’s OK!”
The fictional story of an ex-football star, Johnny Dunn, who moves far from the spotlight after a family tragedy to a small, desert town he owns called Jake’s Corner. This dramatic comedy is a cross between Kramer vs. Kramer (1979) and “Northern Exposure” (1990). Set in the real town of Jake’s Corner, Arizona, it is a rest stop for travelers making their way through the Arizona desert, but for the people who live there, it’s a rest stop for life. Johnny and the eclectic ensemble that live and work in the town occupy trailers behind the Corner Store and Jake’s Corner Bar. Through the years, this cast of misfits has become closer than most families – they are kin. The dynamic of the town is changed forever when Johnny’s young nephew comes to live with him.