Miki Takaraishi is a smart and beautiful 24-year-old woman, but her personality is not as good. She falls in love with Yuga Saito who is handsome and comes from a politician family. They see each other romantically, but Yugo Saito dumps Miki Takaraishi. To get revenge on Yuga Saito, she decides to run for prime minister. For her election campaign, she hires Toshiya Kadowaki as her campaign strategist.
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Set in the 1920s French Riviera, a master magician is commissioned to try and expose a psychic as a fraud.
10 years before the debut of the Ultimate Fighting Championship. In 1979, Bill Viola and Frank Caliguri dreamed up a contest pitting barroom bigmouths against wrestlers, martial artists, boxers, bouncers and brawlers, billed as no-holds-barred new type of competitive fighting. When the fights succeeded beyond their wildest expectations, they were swept up in a chain of events that ended in the first mixed-martial arts ban in the nation. “Tough Guys” chronicles the inception of Caliguri and Viola’s first bouts and the colorful, crazy cast of fighters who made them a hit as well as the politicians who brought it all crashing down. The film brings to life a moment when the national martial arts craze was building to a crescendo as the economies of Pennsylvania steel towns were plummeting to levels of unemployment never seen, breeding desperate men looking for a chance to prove their worth and make some money in the ring.
Derrick De Marney finds himself in a 39 Steps situation when he is wrongly accused of murder. While a fugitive from the law, De Marney is helped by heroine Nova Pilbeam, who three years earlier had played the adolescent kidnap victim in Hitchcock’s The Man Who Knew Too Much. The obligatory “fish out of water” scene, in which the principals are briefly slowed down by a banal everyday event, occurs during a child’s birthday party. The actual villain, whose identity is never in doubt (Hitchcock made thrillers, not mysteries) is played by George Curzon, who suffers from a twitching eye. Curzon’s revelation during an elaborate nightclub sequence is a Hitchcockian tour de force, the sort of virtuoso sequence taken for granted in these days of flexible cameras and computer enhancement, but which in 1937 took a great deal of time, patience and talent to pull off. Released in the US as The Girl Was Young, Young and Innocent was based on a novel by Josephine Tey.
A brother and sister move into an old seaside house they find abandoned for many years on the English coast. Their original enchantment with the house diminishes as they hear stories of the previous owners and meet their daughter (now a young woman) who now lives as a neighbor with her grandfather. Also heard are unexplained sounds during the night. It becomes obvious that the house is haunted.
A woman becomes very curious about one of her psychiatrist husband’s inmates, a man who was found guilty in the murder and disfigurement of his former wife.
Puppets live alongside humans peacefully, but suddenly their behavior becomes depraved. Is such criminal activity rare, or is the media blowing things out of proportion, making cops look like sadistic gunslingers and causing people to distrust them, each other, and most of all, puppets. Is the apocalypse coming, or is the fear-mongering just a great way for News programs to get advertising money? Wait – that makes this movie sound like a serious allegory. Change that. This movie has more wtf moments than you can imagine. It’s high brow and low brow at the same time.
When a Sumatran rat-monkey bites Lionel Cosgrove’s mother, she’s transformed into a zombie and begins killing (and transforming) the entire town while Lionel races to keep things under control.
A group of childhood friends, now in their thirties, reunite at Camp Tamakwa. Only a few of the original campers show up, but they still have a good time reminiscing. The people share experiences and grow while at the camp. They are dismayed to discover that the camp’s owner, Unca Lou, is going to close the camp down.
A once-celebrated kid detective, now 31, continues to solve the same trivial mysteries between hangovers and bouts of self-pity. Until a naive client brings him his first ‘adult’ case, to find out who brutally murdered her boyfriend.
Two women plot revenge against the woman marrying their friend’s ex-boyfriend.
