A clan of vampires fighting to keep their humanity teams up withe a government origination to police the supernatural beings that hide in the shadows of our human world.

A vengeful witch and her fiendish servant return from the grave and begin a bloody campaign to possess the body of the witch’s beautiful look-alike descendant. Only the girl’s brother and a handsome doctor stand in her way.

The close-knit community of Brackenmore is harboring a secret. After the untimely death of an uncle she never knew she had, Kate (Sophie Hopkins) is forced to return to her ancestral home, a tiny rural village in the South of Ireland. Soon after her arrival she meets Tom (D.J. McGrath), a mysterious young local who helps her to rediscover her long-neglected roots and forget about the anxieties of her life in London. The longer Kate stays in Brackenmore, the more she begins to realize that the eccentricities of its self-protective residents, may be more ominous than she first thought and the secluded family estate is harboring a dark and ancient secret. From the opening scenes of a fateful car crash to the shocking ending Brackenmore weaves its ways under your skin shifting between classic horror to the mysteries of the occult. Cinematographer Justin McCarthy keeps a steady hand as he captures the silent fear that begins to grow as Hopkins uncovers the dark horror that is Brackenmore.

A seemingly average man, after murdering his entire family, takes on a new identity and remarries a widow with a teenage daughter in another town and prepares to do it again.

Set fifteen years after the original film, The Exorcist III centers around the philosophical Lieutenant William F. Kinderman who is investigating a baffling series of murders around Georgetown that all contain the hallmarks of The Gemini, a deceased serial killer. It eventually leads him to a catatonic patient in a psychiatric hospital who has recently started to speak, claiming he is the The Gemini and detailing the murders, but bears a striking resemblance to Father Damien Karras.

Nell, Simon, and their boy Art are ready to welcome friends and family for what promises to be a perfect Christmas gathering. Perfect except for one thing: everyone is going to die.

An awkward, unemployed man who can talk to the dead teams up with a rebellious bartender to find the vengeful ghost that’s been terrorizing their town.

While researching an urban legend on feral children, three friends find themselves trapped in an abandoned high school, where they are confronted with an evil more sinister than the legend itself.

A man fights for his sanity when he finds himself trapped on a rural farm inhabited by sinister beings overseen by a mysterious caretaker.

THE S FROM HELL is a short documentary-cum-horror film about the scariest corporate symbol in history – The 1964 Screen Gems logo, aka ‘The S From Hell.’ Built around interviews with survivors still traumatized from their childhood exposure to the logo after shows like Bewitched or The Monkees, the film brings their stories to life with animation, found footage, and dramatic reenactments.

Winter, 1843. A young woman is under investigation following the mysterious death of her family’s matriarch. Her recollection of the events sheds new light on the ageless forces behind the tragedy.

The bizarre found footage from an investigation into a true crime murder. An unemployed man’s curiosity about his neighbor’s murder warps into a conspiratorial obsession.